The recently announced Canon 90D, Canon EOS M6 II, Sony a6100 and Sony a6600 are cameras that refine everything that is already a current technology but bundle it in a lower price package with great performance. However, it is clear from the spec sheets that high frame rates have stagnated for the past few years in these camera lines with a maximum of 120fps at 1080p.
Sure some of them offer full-time autofocus in slow motion modes and face tracking which in the case of Sony is so good that you may not even match it if you had the best focus puller in the business hired for your shoot. But the frame rate war seems to be left to other camera lines and brands. Panasonic, for example, offers up to 180fps in their new S1H camera which should be in theory the best Panasonic mirrorless camera ever made and it should also allow for outstanding quality in 1080p 180fps.
There is no question the Sony a7 III just announced by Sony is making a splash in the midrange to professional camera markets. We have a $1,998.00 USD Full Frame camera that can shoot 10fps at the full 24MP sensor resolution with probably the best AF tracking system ever shipped on a camera aside from the slightly better Sony a9. The low light performance of the new a7 III is quite frankly impressive with nearly as clean video to the king of low light the a7s II up until ISO 12,800.
It also has the same high-quality 120fps Full HD mode in both full frame downsampling and APS-C crop modes with continuous reliable AF tracking that performs as good as the a9 system because when it comes to spec comparisons they seem identical. You will be better off with this camera if you are looking for 120fps full HD than any we have seen before as quality, low noise, focus tracking and dynamic range all come together to create a superb package.
The Sony a99 II with SLT “fixed translucent mirror design” has been awaited by the A Mount users who only have this camera to upgrade. It is by no means a slouch with it’s impressive specs like 42MP BSI Sensor and 12fps full AF picture shooting. It also has 4k video recording at 24, 25 and 30p and a 120fps slow motion mode that works at 1080p full HD.
The slow motion quality has been mostly an obscure feature since no samples have been available until recently. The original a99 had 60fps full HD on a 24MP sensor but the a99 II Doubles every spec and performance is not affected. It is really a monster of a camera for still shooters that can go head to head with the Nikon D5 and or Canon 1DX Mark II without skipping a beat.
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