There is no question the Sony a7 III just announced by Sony is making a splash in the midrange to professional camera markets. We have a $1,998.00 USD Full Frame camera that can shoot 10fps at the full 24MP sensor resolution with probably the best AF tracking system ever shipped on a camera aside from the slightly better Sony a9. The low light performance of the new a7 III is quite frankly impressive with nearly as clean video to the king of low light the a7s II up until ISO 12,800.
It also has the same high-quality 120fps Full HD mode in both full frame downsampling and APS-C crop modes with continuous reliable AF tracking that performs as good as the a9 system because when it comes to spec comparisons they seem identical. You will be better off with this camera if you are looking for 120fps full HD than any we have seen before as quality, low noise, focus tracking and dynamic range all come together to create a superb package. → Continue Reading Full Post ←
So the rumors proved to be accurate on the GH5s and now we have a low light version of the GH5 that can shoot cleanly up to ISO 12,800 with up to 100k ISO and by then a much noisier picture. It is claimed by Panasonic that there was a 1.5 stop improvement in noise performance. Judging by the initial video samples it is clear that the new 10.28MP sensor along with dual native ISO circuitry for each photosite “one at ISO 400” and “one at ISO 2400” make a huge performance leap if low light is desired in a m43 camera.
All is not rosy in Lumix land however as the camera now lacks IBIS or In Built Image Stabilization on the sensor which was a main selling point of both the GH5 and the G9. Panasonic claims that it was a decision made to cater to filmmakers that need no wobble or vibrations in a shot that can be produced when the stabilizer fails. But why not just add an On-Off switch? 1080p 240fps is also included in the camera but as initial samples show it reduces quality substantially. → Continue Reading Full Post ←
Andrew Reid the filmmaker and video editor that runs the EOSHD camera/video blog has made a very good test comparing most of the current mirrorless and DSLR cameras that shoot high frame rates at 120fps. This is not only a hard test to do because you need all of the gear but you also have to analyze the results based on per pixel quality, detail retention, dynamic range, and color information.
The test footage is easy to follow and will really help you in deciding which camera is better in slow motion. The results help level the playing field between these cameras and lets you compare the performance vs price. We wish the test included the new Sony a9 Mirrorless camera which we know delivers superb image quality at 120fps. → Continue Reading Full Post ←
The Sony a99 II with SLT “fixed translucent mirror design” has been awaited by the A Mount users who only have this camera to upgrade. It is by no means a slouch with it’s impressive specs like 42MP BSI Sensor and 12fps full AF picture shooting. It also has 4k video recording at 24, 25 and 30p and a 120fps slow motion mode that works at 1080p full HD.
The slow motion quality has been mostly an obscure feature since no samples have been available until recently. The original a99 had 60fps full HD on a 24MP sensor but the a99 II Doubles every spec and performance is not affected. It is really a monster of a camera for still shooters that can go head to head with the Nikon D5 and or Canon 1DX Mark II without skipping a beat. → Continue Reading Full Post ←
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