The original Sony FS5 not the Mark II which does 240fps and 120fps full HD recording with excellent quality as well as 4k 240fps with an external recorder has dropped in price precipitously. The -$750 price drop makes the camera only $3,498 for the body only which is now competitive with pro SLRs and higher-end mirrorless cameras.
The FS5 camera has been used in productions all over the world and it is a favorite of many videographers for its form factor and dependability. We like it here at HSC by retaining the 10th position on our guide with excellent quality 120fps and 240fps full HD 1080p and pristine quality in 4k 240fps using a recorder like the Atomos Shogun series. The camera also allows 480fps and 960fps @ 1920*270px for short bursts much like the Sony RX series but slightly behind in quality to those latest cameras in those higher modes. Is an FS5 Mark III getting ready to launch or just end of product life rebates?→ Continue Reading Full Post ←
The announcement of the Panasonic S series is a complete acceptance that smaller m4/3 sensors are not the future but the past. As now Canon, Nikon, Fuji, Sony, Leica and now Panasonic have shifted priorities to Full Frame Sensors as mirrorless has allowed the smaller form factor without compromising low light performance and absolute stills image quality. Fuji is also going strong on Medium Format stills oriented cameras like the new portable GFX 50R which meshes a rangefinder camera with a huge MF sensor.
The move by Panasonic, which had been leading in mirrorless frame rates in continued recording with their Lumix GH5 and GH5s Series up to 240fps 1080p, will now focus on larger sensors that produce more heat and may be much slower to read at high speeds. Sony has so far been able to only have 120fps 1080p recording in their a7 series for example. If the Panasonic S1 at 24MP can only do 120fps 1080p which is still unknown, it will not bode well for slow motion frame rates for some time.→ Continue Reading Full Post ←
The RED Hydrogen One phone has a lot to live up to but contrary to many doubters it may be just that good when it comes to video and photo quality. How good? By some accounts, it may be unrivaled by any phone currently and possibly for the foreseeable future thanks to the special software that is running on that last year’s Snapdragon 835 chip which is now outdated but still usable to create what RED touts as an imaging phone for the connoisseur.
We expect 4k quality in better codecs than the competition, with the ability to surpass 4k 60p which is the current phone upper limit for frame rates and resolution. As far as higher frame rates go we simply cannot find a lot of information when it comes to the way video is captured but read along to see something that may get a little closer to unraveling the mystery. New phone final body images have been released here in the forums.→ Continue Reading Full Post ←
The Summer is usually a time of slow product releases with little to show for in the way of new products. That, however, means that the fall product cycle is close by and now releases should be picking up the pace. We have some rumors and information that may be valuable when considering upcoming high-speed capable devices.
Do note that rumors and speculation are subject to change or be completely incorrect so take a lot of this with a grain of salt. We strive to weed out the most outlandish rumors but concentrate on the most probable technology announcements.→ Continue Reading Full Post ←
The people at Cinemartin have publicly released new specs and images of the first industrial prototype of the cinema camera. There are some killer features like 8k RAW video at 24p and up to 96fps RAW recording in both 4k DCI and1080p HD. Some other frame rates include 48p and 60p in a variety of resolutions which are needed for cinema production in either higher fps or just as a shooting necessity like 48p to get the Hobbit look.
One of the most impressive features listed is the ability to shoot in true Vista Vision format at 7920 x 6024 pixels for 8k at 24p that turns out to be 47.7MP; also the Dual ISO recording feature which will be available by August 2019 which allows dual recording capability for an extreme Dynamic Range improvement. Other features include: Global Shutter, Internal full sensor downsampling, and in-camera electronic image stabilization.→ Continue Reading Full Post ←
The short but to the point footage shows what will be slow motion clips produced with the new OnePlus 6 handset. You can see that a lot of care has been taken to shoot professional looking footage that will showcase the high frame rate capabilities. We are not sure if the resolution aliasing we are seeing is from the phone quality or the video compression.
Considering Sony and Samsung have similar artifacts OnePlus will look good on smaller screens but not ideal blown up on a monitor or TV. Professional lighting is no substitute to real line resolution for footage. We should know more as May 16th launch date approaches and we will be gladly surprised if the phone is capable of higher resolution slow motion recording than the competition with better recording time which has been the Achilles heel for these slow-motion phone features. 0.2 and 0.1 seconds is just not long enough for having a usable span of time.→ Continue Reading Full Post ←