The Insta360 seems to be on a roll by delivering several products this year in quick succession. They want to own the 360-degree video market and they have no plans of letting go of that goal by making some very cool new features available to the masses. The new Insta360 One X camera is able to stabilize the footage on the fly with incredible accuracy and steady-cam like feel without gimbals with its high-resolution capture and by using cropping along with telemetry data and a proprietary algorithm they are able to deliver rock-solid imagery in heavy motion environments.
The small camera is also able to shoot 100fps at 3k which is a first in the segment will let you crop if needed to get a better frame of the action. There is also a very clever rubber housing that is designed to be thrown aerodynamically “Drift Shot” while leaving the camera well protected on impact. This revolutionary technique is really something out of the box and what this camera will probably be known for. Expect to see an explosion of these shots in TV and film pretty soon as others copy the technique.
Kinefinity the company behind the pretty capable and high-quality Terra cinema camera has announced in preparation for NAB 2018 the new MAVO 6k cinema camera in s35 and Large Format sensor options in the LF version. Along with the new body design and expansion options the camera will include ProRes 422HQ, ProRes 444 & ProRes 444XQ recording.
Kinefinity also has a RAW format “.KRW” and this has been updated to version 2.0 to support the new camera. This is akin to REDCODE RAW as the .KRW format can compress in RAW anywhere from 2:1 best quality lossless to 10:1 with more quality loss while maintaining the benefits of RAW like dynamic range, white balance, and higher bit-depth color. It also offers the possibility to record on cinema-DNG format In-Camera at 3:1, 5:1 and 7:1 compression. The camera has several high frame rate formats depending on crop resolution.
The Kinefinity KineMAX 6k camera has been shipping to customers and now we have a look at the first slow motion video images produced by this behemoth of a camera. The hardware as of now can produce 4k footage at 100fps and 3k at 150fps both with a sensor crop and while the image has some slight moire and aliasing it is nothing that will impact image quality greatly. It is not as good as the RAW 4k or 3k modes but it does allow for fast frame rates on an already very affordable professional tool. A package with the KineMAX 6k capable body, Canon EF mount and the Slow Motion Package comes in at just under 10k US or $9,997.00. Of course you will still have to buy SSD media to store those mammoth frame sizes.
As you can see the size of a 6k frame is hard to comprehend to HD shooters. You can fit 9 1080p full HD frames into a single 6k frame. You will reach new levels of detail with this camera, that as of recently was only available with a RED Dragon camera. However the price of entry is much lower with Kinefinity and the Chinese company will probably start carving a niche in cinema production quickly with these prices. If you need 6k RAW imaging and high frame rates at 4k and 3k at $10k US budget this is the camera for you.
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