Now that the surprise camera of 2020 has been out for a while, it is time to revisit the 240fps mode included in the video features. At first glance, it delivered 720p quality or less in an upscaled 1080p wrapper. However many Fuji fans asked us to revisit the slow motion quality of this camera as early samples supposedly did not do justice to what this mode was able to deliver.
We have to agree to some extent that the quality of this camera in 240fps Full HD slow motion is better than other even more expensive options but we still feel that Fuji cut corners when it comes to image quality here by dropping lines and having a pretty noisy output unless there is an ample amount of light. We have some samples that will let you see what this camera is capable of and make you decide if it is a good enough option for your camera collection.
Apple today unveiled the iPhone SE; little kept secret due to huge leaks in the rumor sites. What was not confirmed was the camera specs which as it turns out are exactly the same as the bigger and more expensive iPhone 6s flagship brother.
The camera should yield the exact same performance as the iPhone 6s which means great news when it comes to slow motion aficionados. 120fps at full 1080p and 240fps at 720p made their way in the specs which gives some indication that Apple cut very little from the phone; with the biggest omission being 3D touch.
The RED Scarlet has always had a stigma to it since inception. It was supposed to be a 3k camera for 3k USD back when it was planned. With a fixed lens and slow motion capabilities all while shooting REDCode RAW video. That camera never materialized and in turn the Red Scarlet with modularity was born. Not quite an Epic but also a lot more expensive than the original promise. It however delivered the image quality promised but not in the slow motion front. That is however until today with the Scarlet-W camera.
It has a 5K Full Frame (5120 x 2700) RED Dragon sensor with a 16.5 stops of dynamic range. That is some of the best DR numbers quoted for a motion digital camera. However the Slow Motion aspects of this Scarlet W camera are of note and the following specs should get your attention if you are on the market and have 10k USD for a body and 6k for the needed accessories to shoot with it in a ready package.
So you have an iPhone and want to get the best video possible out of it. Should you stay with Apple’s camera implementation or should you branch out and look for better capture apps? Those that do the best job at compressing your footage and extracting the utmost quality from it.
For years the App to flock to if you own an iPhone is the FiLMiC Pro for iPhone, iPad and iPod Touch by Cinegenix. It was used in the Zacuto revenge of the Camera shootout in 2012 to capture the segments with the iPhone which rivaled, according to the audience of judges, cameras much stronger in specs and capture quality. It tied with the Canon C300 and beat the Sony FS100. That test was highly subjective with a lot of light to fill in the soft spots of the camera, however that did not detract from the fact that FiLMiC Pro did an amazing job at delivering a more grade-able and professional looking footage than Apple’s stock implementation on the then iPhone 4s. You can see the test here!
Now that a couple of weeks have passed it is clear that the camera in the new iPhone 6s is better than the previous model in every single way. It has 12MP instead of 8MP, it has UHD 4k recording in video and has 120fps 1080p slowmo which is up from 720p. The dynamic range is on par with the previous model but with the added feature of less noise and artifacts due to new in sensor technology and software processing. While most users will not notice much in the way of improvements; they are there and especially if you look at the video mode the new iPhone is a fantastic upgrade from the regular 6 model.
The 120fps 1080p mode is very good and the detail is retained as long as there is not a lot of minute detail and extreme numbers of objects/changes in the scene. It is not as good as regular 1080p but it is close as there is not a lot of detail loss especially when using Macro mode. If you want it to shoot a single water drop it should do great but if you are recording assorted splashes the codec will break apart and macro-blocks will start to invade your scene. It works very well for people and large scene objects and a lot of detail is preserved. The 240fps mode is also improved in the artifacts and noise which means the processing is improved as you can see much less aliasing and moire. It is still not true 720p but it is very close. As of now we think the iPhone 6s has better slow motion quality than the GoPro Hero 4 Black and the Sony Action Cam Sony FDR-X1000V . It is the best slowmo phone available in quantity as of today. The New Nexus 6P has 720p 240fps to compete with the iPhone but no realistic samples besides the Hummingbird Video which is still unconfirmed exist. This will change in the near future when users get their hands on it.
It has now been a few days since people first got their hands on the new iPhone 6s and 6s Plus. One of the new features is it’s ability to shoot higher res slow motion at 1080p 120fps and a somewhat improved version of the 240fps at 720p with less artifacts. We have found a few samples that may show you the quality of the slow motion modes in action. It is clear from an initial perspective that 720p 240fps is higher resolution with less noise and aliasing artifacts and also that the 1080p 120fps mode while higher resolution it is not exactly the same quality as the 1080p video of the phone. There seems to be an apparent softness or slight resolution loss with heavier compression in this mode. This however doesn’t detract much from the fact that both the 120fps and 240fps modes have been improved and that is a good thing.
iPhone 6s Sample Slowmo Videos Below:
iPhone 6s Plus Slo-Mo ([email protected]) by Royce Adkins:
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