Tag Archives: Vlog

Panasonic Lumix GH6 does 300fps in Full HD!

We have been expecting Panasonic to deliver a GH5 and or GH5s replacement camera for over a year now. The pandemic and component shortages pushed back the release of almost all high tech imaging equipment. The Lumix GH6 is now announced and it does everything right for Micro 4/3 and then some but will that be enough to make the format survive in a world of ever-decreasing Full Frame camera prices getting cheaper?  

The GH6 has a new sensor, new Venus processing engine, new IBIS with up to 7.5 stops which is bordering on ridiculous, and a body that has active cooling. For HSC however, only one set of specs matters and that is frame rates for video. The camera is now on top of the Lumix and almost all of their pro division cameras by shooting up to 300fps 10 bit Full HDish, 240fps Full HD 10bit, and 120fps at 4k 10 bit.  For slow motion enthusiasts, it looks to be a great camera on paper and at just under $2,200 USD it is not going to break the bank.  But after all of this, should you invest in the GH6 as a slow motion tool or save more for an affordable dedicated high speed camera? → Continue Reading Full Post ←

Slow Motion on DJI Pocket 2 & Fuji X-S10 Offers 240fps!

Slow Motion on DJI Pocket 2 & Fuji X-S10

Two very different new cameras were released this week that are able to shoot in 240fps Full HD 1080p. One is the Fujifilm X-S10 which is an all-rounder mirrorless camera with 6 stop IBIS and cinema video profiles for $999 body only, the other is the sequel to the very well received DJI Osmo Pocket now named DJI Pocket 2 dropping the OSMO part of the name & starting at $349 in its most basic form. Slow Motion on DJI Pocket 2 & Fuji X-S10 is close on both.

Both cameras are able to do 120fps as well but the interest peaks at 240p where the speed makes things moving slower more detailed, especially people as at that speed lifeforms moving relatively slow are excellent subjects. For faster animals like birds or flying insects, you need many more frames per second, usually in the 700+ range to create a good enough effect.

Slow Motion on DJI Pocket 2 & Fuji X-S10 – Two cameras that are very different but can shoot the same fps!

Fuji X-S10 Video Modes:

Video Recording Modes H.264/MOV 4:2:0 8-Bit
DCI 4K (4096 x 2160) at 23.976p/24.00p/25p/29.97p [100 to 200 Mb/s]
UHD 4K (3840 x 2160) at 23.976p/24.00p/25p/29.97p [100 to 200 Mb/s]
DCI 2K (2048 x 1080) at 23.976p/24.00p/25p/29.97p/50p/59.94p [50 to 200 Mb/s]
Full HD (1920 x 1080) at 23.976p/24.00p/25p/29.97p/50p/59.94p/100p/119.88p/200p/239.76p [50 to 200 Mb/s]

So starting with the Fuji X-S10 we cans ee that it has a plethora of video recording modes with the absence of the now much coveted 4k 60p which is not here in any form. We do have a 2k cinema mode with 60p which is an ok consolation prize but in a world of 4k it seems they could have added that 4k 60p just to be competitive.

We get 100fps and 200fps at 1080p in PAL format and 120fps and 240fps in NTSC mode. As far as we know every camera can be switched with a single menu to be able to use either of the two systems.

The great news here is that the slow motion modes at 1080p offer up to 200Mb/s in the codec which is pretty remarkable considering not many cameras pass 50Mb/sec in these modes.

The bad news is that the slow motion seems a bit mushy and pixelated which is an unwelcome sight. We found a short video showing this mode at the video below at 8:16:

Fujifilm X-S10 Hands-on Review by DPReview TV:

While we need more samples for full confirmation it does look more like a 720p up-rez than true 1080p, which is common in cameras that shoot these kinds of frame rates and are not dedicated slow motion cameras.  Even Jordan the reviewer above states that the quality of the footage at 240p is nothing to brag about and it is pretty low quality. Kind of sad considering the maximum bitrate of 200Mbps at 1080p.

The Fuji X-S10 is an interesting camera that can do a lot of things right, it is great that it offers very good frame rates as options and we will re-visit this camera in the future when more samples are available. If you are a Fuji system enthusiast, we actually think the new X-S10 is probably the best bargain for a powerful camera in Fuji Land and you really cannot go wrong if you want to shoot video with its great stabilization and flip out Vari-Angle screen.

DJI Pocket 2 Video Modes:

Slow Motion:

  • 240 fps Recorded at 1920 x 1080p
  • 120 fps Recorded at 1920 x 1080p
Video Rec Formats 3840 x 2160p at 24/25/30/48/50/60 fps (100 Mb/s MP4 via H.264/AVC, MPEG-4)
2720 x 1530p at 24/25/30/48/50/60 fps (100 Mb/s H.264/AVC, MPEG-4)
1920 x 1080p at 24/25/30/48/60 fps (100 Mb/s MP4 via H.264/AVC, MPEG-4)

The DJI Pocket 2 is a very impressive device. On the one hand, it has a larger sensor than its predecessor, one rivaling the old P&S prosumer cameras like the Canon G series back in the last decade.  The sensor is  1/1.7″ 64 Megapixels which allows for 8x true zoom crop on the image if needed.

On the other hand, it has a gimbal that is the main selling point that this camera has going for it. A true stabilized system akin to those on DJI drones but on your pocket/hand.  The performance of stabilization is remarkable and the addition of an optional lavalier mic. option with a clip-on module makes it ideal for Vloggers to shoot on a minute and cheap all in one package.

The slow motion modes at 120fps and 240fps are there and easily accessible which is great news since the original Pocket maxed out at 120fps with a 200fps hack that was not really usable.

We found a couple of great samples of slow motion 120p and 240p in the video review below at 9min 45seconds run time:

DJI Pocket 2 | Wider FOV, Bigger Sensor, 240fps by Potato Jet: → Continue Reading Full Post ←

Panasonic Lumix DC-G100 120fps Slowmo Full HD and why to avoid it!

Panasonic Lumix DC-G100 120fps Slowmo

The new trend this year is the selfie mirrorless camera being bundled so that Youtube and other social media Vloggers get a camera that can easily capture what they need with little fuzz. It is no secret that camera sales are in free fall and companies will try to market anything and everything to get some sales. Such is the case with the Panasonic Lumix G100. It has a very nice microphone, a diminutive body, a terrific bright day screen, and a very portable and good enough image from a micro 4/3 sensor.

So why all this negativity? Well for a camera that wants to compete with the smaller 1″ sensor but better overall featured Sony ZV-1 with excellent dual pixel tracking AF; the G100 is limited in a variety of ways. The 5x stabilization will only work in 1080p and be only electronic in 4k.  4k itself only lasts 10 minutes which is very constrained for 2020, maybe for 2016 as a spec but not 4 years later. Dig in for more info!

Panasonic Lumix DC-G100 Main specs:

  • 20.3MP Digital Live MOS Sensor  m4/3
  • 5184 x 3888 maximum resolution
  • UHD 4K30p Video, Pre-Installed V-Log L (10min limit)
  • 5-Axis Hybrid Image Stabilization (1080p Only)
  • OZO Audio with Subject Tracking
  • ISO 200 to 25600 (Extended: 100 to 25600)
  • Video Modes: MP4 4:2:0 8-Bit
  • UHD 4K (3840 x 2160) at 23.976p/29.97p (10min)
  • Full HD (1920 x 1080) at 29.97p/59.94p
  • Slow Motion 120fps Full HD Mode-
  • 12 to 32mm Lens kit included
  • MSRP: $747.99 with lens and tripod included

For a camera and lens combo under $750 USD it may seem like a pretty good package but when you dig in the details it becomes apparent that you are getting a subpar kit that could have been so much better.

What about Slow Motion?

The video below by Gordon Laing shows a sample of the slow motion on the camera that is very good and will give you a good indication of the per-pixel quality. It is also a very complete review with AF tests and the audio modes.

Panasonic Lumix G100 review vs ZV1 M50 G90 G95 by Gordon Laing:

The full HD 120fps looks to be on par with other Lumix cameras which is not bad but it is also way below others in their line of cameras like 180fps and 240fps which is not even a choice here.

As a slow motion camera, it is competitive with other 120fps cameras in full HD but not much else. We cannot recommend it over other options like the Sony RX series that can do 240fps in near full HD (See Here) with pretty good results.

Other things:

The stabilization which is essential for blogging is limited in the 5 axis mode to 1080p which is ridiculous, you get electronic image shift stabilization for 4k and a 10-minute recording limit on that mode which is very much a non-starter for vloggers.

Ozo audio in the video above is really the most interesting feature of this camera and something we hope to see in the Lumix line from now on. The omnidirectional microphones allow the camera to estimate the location of the person speaking and link the face detection autofocus algorithm so it stays sharp during recording even when you move out of the frame and back in.

The AF technology used is DFD or Depth from Defocus which is used in the Lumix line of cameras and while excellent for still images it still can’t compete directly with dual pixel AF from other brands that use contrast and Phase detection along with object and animal/people tracking to be very consistent in the video modes. DFD has a hit and miss that is hated by many and a clear let down by today’s AF standards, especially for Vlogging.

Panasonic G100: Hands-on look at a lightweight multimedia powerhouse by imagingresource → Continue Reading Full Post ←

Sony ZV-1 Slow Motion is a newer cheaper RX100 alternative!

Sony ZV-1 Slow Motion

Sony has revealed the ZV-1 Vlogging camera which uses the tried and true technology of the RX100 series and simplifies the body controls plus allows the screen to be of the vari-angle kind to work essentially as a do it all solution for web Vlogs. The body is reminiscent of the latest RX100 VII and very close to the previous generations but with the added benefit of a real video-oriented 360-degree screen.

As an RX Camera it features our favorite slow motion mode of the compact camera world, the Motion Eye or HFR Sony mode which offers up to 1000fps on sub HD resolution at capture time and near 1080p at 240fps with excellent quality.  We dive into the camera’s slow motion mode to see if anything has improved from the RX line and if this camera with it’s lower entry price makes more sense to own than the RX100 line.

Sony ZV-1 Main Specs:

  • SENSOR TYPE: 1.0″-type (0.52″ x 0.35″) Exmor RS® CMOS sensor, aspect ratio 3:2  Stacked!
  • NUMBER OF PIXELS (EFFECTIVE)Approx. 20.1 Megapixels
  • OPTICAL ZOOM2.7x
  • F-NUMBER (MAXIMUM APERTURE)F1.8 (W) – 2.8 (T)
  • FOCAL LENGTH (F=)f = 9.4–25.7 mm
  • Eye AF & Object tracking AF
  • 315 points (phase-detection AF), 425 points (contrast-detection AF)
  • Vari angle touch screen
  • Directional three-capsule mic with wind screen
  • Optical SteadyShot

Sony ZV-1 Video Modes:

MOVIE RECORDING MODE (NTSC)

AVCHD: 24 M FX (1,920 x 1,080/60i) / 17 M FH(1,920 x 1,080/60i), XAVC S 4K: 30p 100 M (3,840 x 2,160/30p) / 30p 60 M (3,840 x 2,160/30p) / 24p 100 M (3,840 x 2,160/24p) / 24p 60 M (3,840 x 2,160/24p),

XAV C S HD: 60p 50 M (1,920 x 1,080/60p) / 60p 25 M (1,920 x 1,080/60p) / 30p 50 M (1,920 x 1,080/30p) / 30p 16 M (1,920 x 1,080/30p) / 24p 50 M (1,920 x 1,080/24p) / 120p 100 M (1,920 x 1,080/120p) / 120p 60 M (1,920 x 1,080/120p)

MOVIE RECORDING MODE (PAL)

AVCHD: 24 M FX (1,920 x 1,080/50i) / 17 M FH (1,920 x 1,080/50i), XAVC S 4K: 25p 100 M (3,840 x 2,160/25p) / 25p 60 M (3,840 x 2,160/25p),

XAVC S HD: 50p 50 M (1,920 x 1,080/50p) / 50p 25 M (1,920 x 1,080/50p) / 25p 50 M (1,920 x 1,080/25p) / 25p 16 M (1,920 x 1,080/25p) / 100p 100 M (1,920 x 1,080/100p) / 100p 60 M (1,920 x 1,080/100p)

Sony ZV-1 Slow Motion HFR Video Modes:

HFRRecording:

[PAL] mode

XAVC S

  • Full HD: 50p 50 M (1,920 x 1,080/250fps)
  • 50p 50 M (1,920 x 1,080/500fps)
  • 50p 50 M (1,920 x 1,080/1,000fps)
  • 25p 50 M (1,920 x 1,080/250fps)
  • 25p 50 M (1,920 x 1,080/500fps)
  • 25p 50 M (1,920 x 1,080/1,000fps)

[NTSC] mode

XAVC S HD:

  • 60p 50 M (1,920 x 1,080/240fps)
  • 60p 50 M (1,920 x 1,080/480fps)
  • 60p 50 M (1,920 x 1,080/960fps)
  • 30p 50 M (1,920 x 1,080/240fps)
  • 30p 50 M (1,920 x 1,080/480fps)
  • 30p 50 M (1,920 x 1,080/960fps)
  • 24p 50 M (1,920 x 1,080/240fps)
  • 24p 50 M (1,920 x 1,080/480fps)
  • 24p 50 M (1,920 x 1,080/960fps)

Sensor Readout Number of effective pixels:

Quality Priority – 2 second rec time: 240fps/250fps (1,824 x 1,026),

Quality Priority – 1 second rec time:480fps/500fps (1,824 x 616) 960fps/1,000fps (1,244 x 420)/

Shoot Time Priority – 3 second rec time: 240fps/250fps (1,824 x 616), 480fps/500fps (1,292 x 436), 960fps/1,000fps (912 x 308)

Has anything changed in HFR?

In a word no when it comes to resolutions, the same HFR that debuted years ago is still here as it is using the same stacked 1″ EXMOR sensor from the RX100 line of cameras and the latest version at that with the new AF module. Other than that it is essentially a cheaper RX series in terms of capture modes without sacrificing video quality.  In fact video wise it does better in auto exposure modes and it is tuned to better preserve highlights while popping up skin tones which may be more pleasant for many.

You can check the official HFR Manual online here for the ZV-1!

However, when it comes to recording time it is a notch below the RX100 and RX10 series with a maximum recording time of 3 seconds on Shoot time priority and a low of 1 second for Quality priority on frame rates above 240fps.  (Thanks to reader Klaus for bringing this to our attention). This is a big deal as previous RX releases allow up to 7 seconds on SHoot time priority and 4 seconds on Quality priority.  So your capture will be severely limited time wise.

All in all an RX series for HFR mode compacted under $800 USD with some features added and some hardware controls removed.  What is not to like when you get essentially the same performance video-wise to a significantly costlier camera except for the recording time in HFR being so limited.

Video sample at 250fps and 500fps below:

Sony ZV-1 slow motion tests by Mark Wilson (Well done Mark!):

What is missing from the RX100 Line?

Thre are a few things that are absent which may or may not bother you.

  1. No multi-function ring on the lens barrel
  2. No EVF, only the Touch LCD Screen
  3. No Manual focus just Touch 2 focus!
  4. Lower recording times in HFR Mode but at same quality.

The lack of the EVF might be the toughest pill to swallow but as a Vlogging camera, it was bound to happen.  The RX line is still relevant with it’s more well-rounded features however software-wise the video Auto modes on this camera are ideal for its intended blogging purpose with excellent auto exposure, amazing built-in microphone, and AF that really captures faces and object demos in real-time with almost no lag.

Is a new RX camera coming in 2020?

The rumor mill had been quiet on this front until the ZV-1 launch was coming which probably tells us that the RX line is either migrating or will get a debut with a whole new platform of sensor and lens design for the future.  With P&S cameras being less and less relevant every day, Sony has been forced to cater to Vloggers and kind of side step camera enthusiasts that want pocketable options. However, the excellent RX100 and RX10 lines are still out there as options until a replacement is announced.

We have not heard any rumors about an RX100 version 8 camera so it is safe to say that we may not see one soon.  If we do, it may be closer to Christmas time in any case.

The ZV-1 is recycling the best of the RX100 line and gearing it to Vloggers in a way that won’t break the bank, and at that, it is a real winner for your money considering how capable it is.

Should I get it?

Yes but…

If you already have an RX100 or RX10 camera we think you should skip this camera unless you want to Vlog and want a vari-angle screen and need higher recording times in slow motion. If you were thinking about getting an RX camera and you do not need an EVF and multifunction ring or the extra rec time then this is the camera to get for a significant price drop without sacrificing image quality.

Pricing and Availability:

The camera will be released on June 11th, 2020 in just a few days and you can pre-order at Amazon below!

$749.99  Standard Kit Pre Order at Amazon!

There is a Vlogger accessory kit bundle for $100 more which has the Wireless Bluetooth Grip which lets you record and zoom from the controller as well as use it as a tripod.   We believe that for $848 it’s very fair value as it also bundles a 64GB SD card.  However, we recommend the RX100 line for slow motion enthusiasts due to the higher recording time as the ZV-1 is quite limited above 240fps.

This ZV-1 Camera may become our favorite Sony HFR camera since it ticks almost all the boxes at an affordable price. If you are getting one, it will help us if you click our Amazon links before ordering to help this site continue.  Thanks for your support! -HSC 

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→ Continue Reading Full Post ←

GoPro Hero 8 Slow Motion Mirrors Hero 7!

GoPro Hero 8 Slow Motion

Meet the new GoPro Hero 8 Black which is a refinement of last year’s Hero 7 Black. It has better hyper smooth stabilization, it has now stabilized slow motion modes and has a smaller form factor with a clever undercarriage that folds into the mount support system to reduce footprint which is very clever.  The real big changes are the Mods which are attachments that let you expand the capabilities of the camera to get a more professional kit if needed. They are relatively inexpensive but do offer a better package than what the competition has to offer.

The Slow Motion modes remain identical to the Hero 7 Black of last year as it still uses the same GP1 processing engine which was released over two years ago with the Hero 6 Black. By now it would have been ideal to see an updated processor and sensor combo to get even higher frame rates like 4k 120p and 1080p 480fps but GoPro has decided to press the last drop of juice from their custom chip investment to keep up with their restructuring goals.

GoPro Hero 8 Black Video Specs:

Video Recording Modes: 3840 x 2160p at 24/25/30/50/60 fps (78 Mb/s MP4 via H.264/AVC)
3840 x 2160p at 24/25/30/50/60 fps (78 Mb/s MP4 via H.265/HEVC)
2704 x 1520p at 24/25/30/50/60/100/120 fps (MP4)
1920 x 1440p at 24/25/30/50/60/100/120 fps (MP4)
1920 x 1080p at 24/25/30/50/60/100/120/200/240 fps (MP4)
1280 x 960p at 100/120/200/240 fps (MP4)
1280 x 720p at 50/60/200/240 fps (MP4)

 

Media Mod:

$79.99

  • Built-in directional mic delivers crystal-clear audio and reduces wind and ambient noise
  • 2 cold-shoe mounts to attach your favorite lights, mics or LCD screens
  • 3.5mm mic port lets you add an external mic for enhanced audio
  • HDMI-out port to monitor or play back your footage
  • Unique and compact wraparound design adds portable expandability and ensures mounting remains easy
  • Specially designed for use with Display Mod and Light Mod for HERO8 Black, and compatible with third-party accessories

 

Display Mod:

$79.99

Frame the shot with Display Mod, the flip-up screen that lets you see yourself in action. Compact and perfect for vloggers, it connects to your HERO8 Black via Media Mod.1

  • 2-inch flip-up screen makes vlogging easy
  • Built-in rechargeable battery and micro-HDMI connector
  • Folding design for easy storage and transport
  • Compact and sturdy with a low-profile appearance
  • Connects to HERO8 Black via the required Media Mod1

 

Light Mod:

HERO8 Black

$49.99

Add compact yet powerful LED lighting to your next adventure. With Light Mod, you can illuminate your subject with wide, smooth, even light and capture ultra crisp footage. Light Mod attaches to HERO8 Black via Media Mod (sold separately), or works as a handy standalone light for use with GoPro mounts.

  • 4 levels of brightness—up to 200 lumens—for crisp detail
  • Built tough and waterproof to 33ft (10m)
  • Built-in rechargeable battery with up to 6 hours of runtime1
  • Compact design is perfect as an add-on to your HERO8 Black, or as a standalone light for use with GoPro mounts
  • Connects to HERO8 Black via Media Mod (sold separately)
  • Maximum brightness for up to 30 seconds with Overdrive mode
  • Strobe mode for signaling and visibility
  • Light Specifications:
    Overdrive mode: 200 lumens, 200 lux @1m
    Level 3: 125 lumens, 120 lux @1m
    Level 2: 60 lumens
    Level 1: 20 lumens
    Runtime: 1 hour at Level 3, 2 hours at Level 2, 6 hours at Level 11
    Color temperature without diffuser: 5700K
    CRI: 90

The mods do make it a nicer package and the aim is to get you to really buy all of them if you are a Vlogger or serious video professional. The addition of Hypersmooth 2.0 in all recording modes including all slow motion frame rates makes it the best GoPro for high speed video recording ever released. The limit of 240fps is, of course, a letdown as this camera could be an incredibly good 480fps slow motion camera even in short bursts.

GoPro Hero 8 Slow Motion Quality:

While the Hero 8 Black offers a 2x stronger front lens element to withstand scratches and hits better, the quality of the video should be identical to the Hero 7 Black besides the Hypersmooth improvements. Note that Hypersmooth crops the video image according to motion and estimates on the fly with sensors the amount of real-time correction.  The result is incredibly smooth and really does away with the need for most gimbals in a camera like this.

GoPro HERO8 Black: Cre8ors Hypersmooth 2.0 Madness by Chris Rogers: → Continue Reading Full Post ←

Sony RX100 VII Has Stagnant Slow Motion Specs!

The Sony RX100 VII or also known as the RX100M7 is the latest in the stacked 1″ CMOS sensor line from the company in what amounts to another evolutionary incremental step without a real revolution.  New is the impressive real-time AF technology from the Sony a9 professional camera now miniaturized into this pocketable beast with up to 20fps at full resolution and up to 90fps in high burst mode but for only 7 shots which is kind of a letdown as it is very limited.

The HFR mode in previous RX series cameras have been one of our favorites among the cameras released in the past few years by including truly usable 240p, 480/500p, and 960/1000p depending on NTSC or PAL mode selection with also the ability to trigger a pre and post record time to not miss the moment. This ability is akin to what a real dedicated serious slow motion camera can deliver. The problem is that the RX cameras are severely time-limited at 4 seconds quality priority time and or 7 seconds in shoot time priority.

Sony RX100 VII Main Features:

  • ZEISS Vario-Sonnar T* 24-200mm1 F2.8 – F4.5 high magnification zoom lens  8x Optical Zoom!
  • World’s fastest (0.02sec) AF, 357-point phase detection and 425-point contrast-detection
  • Up to 20 fps Blackout-free Shooting, using up to 60 times/sec.5 AF/AE calculations
  • Single Burst Shooting captures 7 shots at up to 30/60/90 fps in JPEG/RAW
  • AI-based Real-time Tracking for stills and movies,and Touch Tracking
  • Real-time Eye AF for human (stills and movies), and for animal (stills only)
  • Newly developed 20.1MP10 1″ Exmor RS stacked BSI CMOS sensor with DRAM (Better AF, Not Better HFR)
  • 4K movie with direct pixel readout, no pixel binning, HLG instant HDR; Interval Shooting
  • Microphone Jack!
  • Flippy Screen with Vlog 90 degree function.
  • HFR Mode with up to 1000fps Slow Motion Video Capture!

HFR Mode Details:

Quality Priority (Same as Older RX100 VI from 2018):

4 seconds expected (Not Confirmed)

  • 240fps/250fps (1824×1026) – Near full 1080p
  • 480fps/500fps (1824×616)
  • 960fps/1000fps (1244×420) 

Shoot Time Priority (Same as Older RX100 VI from 2018):

7 seconds expected (Not Confirmed)

  • 240fps/250fps (1824×616)
  • 480fps/500fps (1292×436) 
  • 960fps/1000fps (912×308)

Recording: NTSC/PAL Selector:
[PAL] mode XAVC S HD: 50p 50M(1920×1080/250fps), 50p 50M(1920×1080/500fps), 50p 50M(1920×1080/1000fps)/25p 50M(1920×1080/250fps), 25p 50M(1920×1080/500fps), 25p 50M(1920×1080/1000fps),

[NTSC] mode XAVC S HD:60p 50M(1,920×1,080/240fps), 60p 50M(1,920×1,080/480fps), 60p 50M(1,920×1,080/960fps)/30p 50M(1,920×1,080/240fps), 30p 50M(1,920×1,080/480fps), 30p 50M(1,920×1,080/960fps)/24p 50M(1,920×1,080/240fps), 24p 50M(1,920×1,080/480fps), 24p 50M(1,920×1,080/960fps)
Sensor Readout Number of effective pixels:
Quality Priority:
240fps/250fps(1,824×1,026)
480fps/500fps(1,824×616)
960fps/1000fps(1,244×420)
Shoot Time Priority:
240fps/250fps(1,824×616)
480fps/500fps(1,292×436)
960fps/1000fps(912×308)

Audio recording is not available. A Class 10 or higher SDHC/SDXC memory card is required.

Super slow motion at up to 40x slower speed

The stacked CMOS sensor enables an extra-high frame rate of up to 960fps/1000fps39, so even when shooting at 200 mm20 telephoto it’s possible to record impressive close-up, super slow-motion footage40. The frame rate and recording setting can be set independently for slow-motion playback speeds from 1/4 to 1/40th of real-time speed and can be captured using either start or end triggers to record even the most fleeting of moments.

The New along with the Old:

The new in this camera is all about speed and Auto Focus accuracy. Eye AF and Face AF are now the best in the entire Sony camera line and a sign of things to come in other camera platforms.  You can now rest assured the camera will have people and objects in focus while video is recording with an extremely accurate hit-rate with very little second-guessing.

The camera also includes a new Microphone jack that allows along with the 90 degree flip screen to directly Vlog either in horizontal or vertical mode for the web with an external microphone. Suddenly a full 4k HDR camera kit with pro audio can fit in your pocket if you can live with the low battery life of around 1hr recording at best.

The HFR mode which enables high-speed video is as we have shown above remained the same resolution wise but the jury is still out on recording time.  There is no mention in the current crop of specs about the HFR mode and any modification in the allowable rec time. With the new burst modes it seems the camera buffer has been increased which may mean we may get longer quality recording times for slow motion. But judging by the lack of a mention, we believe there will be no changes. The resolution being the same as the two previous cameras the V and VI mean that Sony is not innovating in the HFR mode anymore.  Has slow motion gone to the background for the foreseeable future on camera specs?

The RX100 VII is a marvel of technology and it is by any measure a superb technological milestone. The evolution of these series is still untouched by the competition in features and image quality. The 1″ sensor continues to be the state of the art in pocketable cameras. We may also see an RX100 VII VA version with a shorter zoom range and faster glass which was released last year alongside the RX100 VI to appease low light enthusiasts.

Should I get this instead of the RX100 VI?

Right now the price difference between an RX100 7 and 6 is just $200 USD between the old camera and a new pre-order. We expect the price on the older camera to drop considerably as stock dwindles and the new model becomes widely available.  We should see an RX100 VI (6) at less than $998 by Thanksgiving November 28th.

If you have money to burn and want this camera, pre-ordering makes sense now as this camera will probably be a best seller and inventory wise hard to find the first few months.

The RX100 VII should be available on Friday August 16th for $1,199 on the standard kit without accessories.

Last year’s RX100 VI ($998) was already an amazing all-rounder of a camera and the improvements this time around even while impressive when it comes to AF tracking, make not a must-have for previous owners. If you absolutely need a Microphone jack then this new model is the one you been waiting for in the RX100 line.

As a slow motion camera, there is no justification for choosing this camera above the previous two years of releases considering the feature is essentially unchanged resolution wise and most probably time recording limited to the previous spec also.  We will know more about this when the manual is released and we can confirm this is the case.

We will have more info including HFR samples of the RX100 VII when they are released which should be in about a months time. In the mean-time make sure you check out the pretty excellent explanation of the RX100 VI HFR mode from last year’s camera so you can get acquainted and tailor your expectations accordingly.  Thanks for reading -HSC

 

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