The iPad Pro has been making accessible the best iPhone Camera features for a few years now and the latest 2020 model seems to be in lockstep with the iPhone 11 Pro but with only 2 cameras instead of 3. However, the quality is close but not as good lens wise, but they make up with a new LiDAR scanner in place of the third camera lens that makes it possible to accurately scan physical objects and surroundings to improve AR capture and interaction. The demos are early but the technology holds promise.
What interests us at HSC is the slow motion features and we see a continuation of the iPhone 11 Pro and 11 camera modes with Wide and ultra-wide cameras supporting all slow-mo modes of 60, 120 and 240p which is identical to the mobile line up. We looked at the iPhone 11 Pro’s camera quality which impressed us with the best 240p and 120p quality on a phone to date see here
At the end of February right before the Pandemic really got going worldwide and when the world seemed a lot simpler, Fuji surprised us with the launch of the Fuji X-T4 APS-C 1.5x crop sensor body. It comes completely unexpected to the community of slow motion enthusiasts as the majority of cameras only support a maximum of 120fps with a few Panasonics doing 180p and only the GH5s doing 240fps 1080p.
What makes this camera different is the quality of the output at 240p which is far and above the king in the APS-C format and destroys the GH5s aliased image with a very good and detailed rendition of the scene with a codec strong enough to allow for enough detail and color to really push the format further than any EVIL mirrorless camera before it.
Nikon has either gone crazy or has analyzed a market that is actually alive and well when it comes to all in one prosumer compact cameras. The P900 was a best seller for several years in the segment with an 83x optical zoom formula of 24-2000mm equivalent. Now the new P1000 increases that range by 1000mm to do a previously ludicrous spec of 24 wide-angle to 3,000mm telephoto range or 125x optical zoom.
The sensor is tiny at 1/2.3″ the same as small compact cameras and just slightly larger than the typical phone sensor of 1/3″. This is what makes it possible for the camera to create such a zoom range without the lens being larger than a Napoleonic war artillery cannon. The video modes are decent with 4k 30p but the high-speed modes are lackluster which is a shame considering this camera could be used effectively for extreme wildlife shots in super slow motion.
No matter how hard Sony and other mirror-less systems try to kill the Mirrored SLR camera, it seems Nikon and Canon refuse to go down for the count. The latest Nikon D850 is a camera that is better in every respect to it’s predecessor but now treads in the rarified air of hyper resolution sensors that do up to 9fps at full 45.7 Megapixels with the added battery grip.
Of note for us is the inclusion of a full HD 1080p 120fps mode which matches that on the Canon 1DX Mark II and the excellent quality Sony a9 mirror-less cameras. There are no real samples of the D850 in slow motion aside from compressed preview videos that seem to show some aliasing in the mode. As to a crop we will have to wait and see but in 4k mode the camera is able to extract the image from the full sensor with no field of view crop which is the holy grail for large resolution sensors.
Olympus is announcing the TG-5 rugged camera which is the replacement for the popular TG-4. It has quite a number of new features and what may be a first for this type of cameras; a sensor pixel density reduction from 16MP to 12MP. A welcomed addition that will ensure better low light quality with a BSI CMOS sensor and speedier data acquisition which lets it output 4k and 120fps 1080p video.
It has also a 720p 240fps mode and a VGA 480fps mode which makes it stand out in the slow motion categories. This camera seems to be aiming at the GoPro Hero 5, Yi 4k+ and Sony Action Camera markets with more features, better usability and the features you expect from a portable camera. It can also be used in drones with some creative placement due to its low weight of 250g with battery!
DJI’s refresh of the Phantom 4 is a mid-range model that sits between the Standard Phantom 4 & Phantom 4 Pro. It has either a few features left out from the Pro and or some added from the standard model that make it into a category of it’s own. The camera however seems to be identical the the Phantom 4 Pro which supports 4k at 60fps.
The UHD 60fps video spec is finding it’s way into more and more products as it becomes popular on video social media sites like Youtube and Vimeo. Consumers expect the ability to have some slow motion capability on 4k without dropping resolution to 1080p or 720p. However the 120fps spec at 4k might take a few more years to become commonplace due to data rates which will push storage requirements and tax processing capabilities.
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