Tag Archives: Panasonic vs Fuji

Fuji X-T4 Slow Motion is the new king of APS-C!

Fuji X-T4 Slow Motion

At the end of February right before the Pandemic really got going worldwide and when the world seemed a lot simpler, Fuji surprised us with the launch of the Fuji X-T4 APS-C 1.5x crop sensor body.  It comes completely unexpected to the community of slow motion enthusiasts as the majority of cameras only support a maximum of 120fps with a few Panasonics doing 180p and only the GH5s doing 240fps 1080p.

What makes this camera different is the quality of the output at 240p which is far and above the king in the APS-C format and destroys the GH5s aliased image with a very good and detailed rendition of the scene with a codec strong enough to allow for enough detail and color to really push the format further than any EVIL mirrorless camera before it. → Continue Reading Full Post ←

Fujifilm X-T3 Slow Motion Samples!

Fujifilm X-T3 Slow Motion

Fujifilm continues to further evolve their high-end mirrorless offerings by releasing the X-T3 which is a souped-up X-T2 with much of what was missing like 4k 60p and a new  X-Trans Sensor now with 2 more megapixels and lower base ISO of 160. The new camera also has a touchscreen with the ability to use up to 425 Phase and Contrast hybrid Autofocus points which is their most advanced AF yet.

Others will point out to the new blackout-free burst shooting much like that in the Sony high end a9 for example. What is really remarkable here is that the 4k 60p mode is 10 bit 4:2:0 vs 8 bit on competitors, as to what big advantage that will be remains to be seen considering 4:2:0 is not exactly ideal. For slow motion fans, the camera now records 120fps 1080p at 200Mbps bs 100Mbps on the X-T2 → Continue Reading Full Post ←

Fuji X-H1 Aims to Compete in Pro Video!

Fuji X-H1

The Fuji X-H1 just announced does a lot of things right; It has a 200mbps 4k codec in UHD / DCI, 120fps Full HD which from the initial looks of it looks gorgeous and it finally has the 5-Axis Stabilizer on the sensor 5.5 stops worth that had eluded Fuji cameras for two years now.  It even has a new Eterna color profile which makes it easy to color correct without being too flat or too processed.

However, the X-H1 is based on the same 24MP X-Trans APS-C sensor found on the X-T2 which while overall good, it has problems with color moire and fine textures due to the processing on the unconventional RGB pattern which has 4 adjacent green pixels and differs quite a lot from Bayer sensors. See this article from PetaPixel comparing both technologies here.  But as far as video mode is concerned it looks to be a good contender to options like the GH5 and Sony 7 series. → Continue Reading Full Post ←