Panasonic unveiled in May the GH5 Mark II which is a slight refresh of the venerable m4/3rds GH5 with live streaming, better dynamic range in video, better AF algorithms, and slightly better IS on a very similar body with just a few cosmetic red buttons and rings for refresh purposes. The slow motion remains at 180fps VFR at 1080p and 60p at 4k on the GH5 II since it is using the same sensor and imaging engine. It is a better overall camera than the original but a mild refresh nonetheless.
That brings us to the pre-announced GH6 which is an in-development camera that aims to refresh the entire Micro 4/3ds line in Panasonic and aimed at professional video users. It sports a new sensor, new imaging engine, new body and new technologies yet to be disclosed. According to rumors, this camera should be able to keep micro 4/3rds alive for another five years delivering an array of video and photo features that will set it apart much like the original GH5 carved a place in camera history. We have also received rumored specs that may or may not pan out regarding frame rates which we find somewhat credible. → Continue Reading Full Post ←
The Black Magic Design URSA camera line has been one of our favorite high frame rate options for many years now as it is a blend of excellent quality at a relatively low price with the added bonus of RAW recording and ProRes options. Now the company has announced the latest iteration of the camera with a monstrous pixel size of 12k or 80 Megapixels per frame. All of this in an APS-C super 35mm crop from Full Frame sensor that is built to satisfy the requirements of their Black Magic RAW codec or BRAW for short which is in this camera the only recording format available.
What interests us as always are the high frame rates and this camera does not disappoint when it comes to this spec. The only real problem we see is that recording is made only from 4k resolution and up, completely avoiding 3k, 2k and HD resolutions which could yield even higher frame rates with probably a huge crop in the 80MP frame which will probably yield a noisy and artifact prone image hence why they probably avoided recording down on those modes.
Blackmagic URSA Mini Pro 12K Main Specs:
High Speed Frame Rates:
- 12K 17:9 full sensor up to 60 fps
- 8K DCI full sensor up to 110 fps
- 4K DCI full sensor up to 110 fps
- 8K 2.4:1 and 4K 2.4:1 up to 140 fps
- 6K Super 16 up to 120 fps
- 4K Super 16 up to 220 fps
- 12,288 x 6480 (12K DCI)
- 11,520 x 6480 (12K 16:9)
- 12,288 x 5112 (12K 2.4:1)
- 7680 x 6408 (12K Anamorphic)
- 8192 x 4320 (8K DCI)
- 7680 x 4320 (8K 16:9)
- 8192 x 3408 (8K 2.4:1)
- 5120 x 4272 (8K Anamorphic)
- 6144 x 3240 (6K Super16)
- 4096 x 2160 (4K Super16)
- 4096 x 2160 (4K DCI)
- 3840 x 2160 (4K 16:9)
- 4096 x 1704 (4K 2.4:1)
- 2560 x 2136 (4K Anamorphic)
Built in ND Filters: Four position ND filter wheel with clear, 2-stop, 4-stop and 6-stop IR ND filters
Effective Sensor Size: 27.03mm x 14.25mm (Super35) 80MP
Lens Mount: PL mount included. Interchangeable with optional EF and F lens mounts.
Lens Control: 12pin broadcast connector for compatible lenses and electronic control via EF mount pins on optional EF lens mount.
Dynamic Range: 14 Stops
MSRP: $9,995.00 (PRE ORDER HERE at Adorama)
Blackmagic Design Camera Update by Blackmagic Design:
The camera looks very familiar because it shares the exterior with other URSA Mini cameras but the inside components are completely revamped. This makes sense as DPs and other BlackMagicDesign camera users want to jump straight into a tried and true design without having to re-learn muscle memory or new controls. The cameras work well and are ready to shoot. Simply put if you have shot with an URSA Camera you are easily ready to shoot on this new 12k beast within a few minutes.
Blackmagic URSA Mini Pro 12K Test Footage and Highlights by Love What You Do: → Continue Reading Full Post ←
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