We consider the Canon C70 as the real successor to the 5D Mark II which started the ILC DSLR revolution. It ticks almost all the boxes for a vast array of users and does so on a somewhat realistic price point. We get a Cinema caliber sensor in S35 format at 4k Cinema and UHD that is capable of producing 16 real stops of dynamic range. The camera actually is using simultaneous dual gain technology to merge the exposure from both settings into an amazingly beautiful progression between light and dark.
The Canon C70 Slow Motion Mode has real 120fps 4k with HDR and full Canon dual pixel AF technology and even can crop to Super 16mm to record 180fps at 1080p and 2k resolution to provide you with that extra oomph which was sorely needed in Canon land. The camera does have some drawbacks but it is so good out of the box that we may have an avalanche of switchers to the format from Sony, Nikon, and Panasonic.
Sony has rocked the slow motion 4k world today with the Sony HDC-4800 Professional Live Event and Sports shooting camera released today at NAB 2016 in Las Vegas. It has a very impressive spec sheet for slow motion enthusiasts. And it is the first true super slow motion camera from sony that shoots above 250fps in 4k resolution. Quite a beast!
If you were thinking about getting excited about this camera’s price, let it be known that Sony has not shared the pricing details but we expect it to be high four figures maybe more.
Panasonic has released the specs of a new smaller version of their Varicam professional video camera with an S35mm sensor. The Varicam LT is the low cost version of the Varicam 35 which has higher end specs at a significantly higher price. The Varicam 35 has a 4k mode that allows up to 120fps at full 4k resolution while the Varicam LT has less power at a maximum of 4k 60fps.
The LT is mostly identical after that 4k downgrade in the rest of it’s capabilities with dual native ISO of 800 ISO and 5000 ISO for extremely clean image quality at those native ISOs. The Sensor itself is built for those opportunities that need higher sensitivity but also allow to shoot at reduced sensitivity for bright conditions. This is great news for the use of the high frame rate feature. The inclusion of EF mount and PL signify the seriousness of the product for an installed base of videographers and film makers with a growing arsenal of Canon and PL glass instead of Panasonic only lenses. They also state that EF lens compatibility will need to be tested and they will not support it directly.
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