Galaxy S20 Slow Motion will improve 960fps !

Galaxy S20 Slow Motion

The recently announced Galaxy S20 phone line has been making some waves with impressive specs especially related to the camera modules.  As always we are only interested here in the high speed video specs here at HSC “not even the new 8k video spec” and the new phones are an improvement over the S10 and Note 10 lines.  However, it is important to note that not all S20s will share the same slow motion specs and that is what this post is about.

You may think that the S20 Ultra 5G will be the easy choice here but it is hardly as straight forward as that.  The amount of technology packed in the Ultra phone along with four camera modules and one of them at over 100MP means they prioritized photo resolution over video shooting in their sensor selection. The Ultra will not natively support the 960fps spec but default to only 480fps. → Continue Reading Full Post ←

Nissan GT-R High Speed Camera Car Reigns Supreme!

Nissan GT-R High Speed Camera Car

The Nissan GT-R continues to be unmatched in the high-end sports car world by offering a performance way above its price range.  For the new NISMO GT-R 2020 they needed to film the car at full performance. After looking for solutions in the market it was immediately apparent that they needed a car with a rig system that could keep up with the new supercar.

As it turns out the only solution would be to build a custom GT-R with expert and Drifting world champion Mauro Calo, with camera rigs normally used in big Hollywood productions as you have seen in the Fast and the Furious series. Nissan decided to paint the car Matte black so it would not reflect on the other car’s paint and or create unwanted flares on camera lenses.  The result is the best performing camera rig car ever made. It is capable of carrying a fully rigged camera system including but not limited to ARRI Alexa,  RED Dragon, Sony Venice, Panasonic Varicam or high-speed solutions like the Vision Research Phantom Flex 4k. → Continue Reading Full Post ←

Canon EOS R5 Rumor Hints at 120fps at 4k!

Canon EOS R5 Rumor

Quite a few of our readers have asked for HSC to comment on the rumors of a Canon R5 Mirrorless camera that according to unsubstantiated information claims 120fps at 4k and 8k at 30p.  The R5 may be the modern non-DSLR successor camera to the EOS 5D Mark IV and could become a major release for the company for this decade.  As rumors go we can probably believe some of it but we have to be skeptical on the full specs because Canon has not shown the willingness to push the envelope as far for many years and has calmy let Panasonic and Sony take the firsts spots on video features.

We would love to see Canon go ahead and push the envelope with amazing video features that can revive the platform for serious video production the same way the 5D Mark II did back in 2008 when it took the video world by storm and made it possible to shoot quality video that looked a lot like the 5D still images that have dominated certain segments of still imagery business like weddings. → Continue Reading Full Post ←

10k 72fps Camera to be developed by Spanish PNBE!

PNBE 10k Camera Slow Motion

The Spanish Association of Broadcast, Cinema and TV Producers or PNBE for short, is sharing some information about a camera they are custom building for the purpose of shooting a new series for Spanish Television that explores  Nature and Astrology “Or maybe Astronomy” which could be a translation error.  The new camera will be able to shoot at pretty remarkable specs like 10k and 8k video including higher frame rates at many resolutions that surpass anything in its class.

The camera needs to have extreme detail and low light performance with RAW capabilities.  Only a dozen will be built for the TV program but we assume they share the information in order to see if there is interest in the market for DPs and other professionals to own such a camera.  We were happy to see that the spec sheet is very detailed with both H.264 and H.265 support aside from RAW and Cinema DNG formats in recording. → Continue Reading Full Post ←

CES 2020 New 120fps Cameras from Nikon, Canon and Panasonic!

CES 2020 New 120fps Cameras from Nikon, Canon and Panasonic

CES brought a lot of weird tech like smarter toilets, personal companion robots and the occasional wearable smart tech that you really can’t wash in your home.  As it is always the case at HSC we were looking for slow motion capable cameras and sadly we saw very little at the show. We are now showcasing three manufacturers who had 120fps Full HD cameras announced at the show and no frame rates above that.

These are primarily 4k 30 and 60p cameras that have a 1080p 120fps mode as a feature that no new camera can really ship without. Sony has already standardized this format in the last few years on most Alpha cameras and Panasonic has even gone above at 180fps and 240fps in some cases like the GH5 and S series.  The cameras presented here are mainly either stills full-frame beasts or more standard video camera like.  By 2020 we would have hoped to see better than 120fps 1080p on cameras of this caliber but it seems we will have to keep waiting… → Continue Reading Full Post ←

Insta360 ONE R action cam can do 200fps in 1080p!

Insta360 ONE R 4k

2020 is already becoming a very busy year for camera releases. The CES Show this past week had a bunch of announcements in the professional, amateur and aerial drone markets that shoot high frame rates.  We will try to cover the most useful cameras in the coming weeks.  We want to start with the Insta360 ONE R Modular camera from Chinese company Shenzhen Arashi Vision Co., Ltd. which is a very interesting product that de-couples the sensor module from the body so you can interchange the actual imaging hardware on the fly for specific shots/jobs.

The real gem for slow motion fans is the 4K version instead of the 360 and or the 1″ version which both max out at 120fps 1080p instead of 200p.   Many people will cry foul at the 200fps spec when GoPro and DJI do 240fps as do most slow motion capable smartphones but 200fps, if done well with the 100Mbps codec, could be a real diamond in the rough for your arsenal in action cameras. → Continue Reading Full Post ←

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