The Lumix TS7 by Panasonic “TS7 in the US, Canada, FT7 outside of North America” is a well-rounded package when it comes to pricing and features. It is a 4k 30/25/24 ready camera and it can go underwater 31 Meters or 102ft plus all the cool ruggedized features you might expect on a camera of this kind like being crush-proof up to 220lbs/100kg and freezeproof down to -10 °C / +14 °F. It is a real alternative to smaller action cameras like the GoPro, Xiaomi Yi 4k+ and Sony Action Cam series.
The lens is a 28–128 mm 35mm equivalent 4.6x zoom range which is quite sharp across the range as we have seen from samples. The main issue with this camera is the small 1/2.3″ BSI sensor and the fact that it packs 20MP or a resolution of 5184 x 3888px which is a little too cramped to be ideal for low light or in our view underwater performance without added bright artificial lighting. ISO goes from a low of 80 to a high of 6400 which probably is already pushing it too much. This camera would have been a better bet with a 10 or 12MP BSI sensor to maintain some edge in low light for the competition. → Continue Reading Full Post ←
The newly announced CINEMARTIN FRAN 8K Camera claims some huge numbers in terms of resolution and performance. Up to 8K (8000×6000) RAW / Uncompressed 12 Bit video capture at 24fps and up to 96fps in 2k & 1080p for high frame rates but more on that later in this post. There is only one image of the camera we were provided with and that is the RED Brain like rendering above which sports a mounting port which in the lab is fitted with a Canon EF Mount which is preferred among cinema oriented users especially if it is an active one.
FRAN also offers in the spec sheet 15.5 stops of dynamic range at 12 bit which competes directly with the best cinema cameras out there. CINEMARTIN claims the camera will come in below the competition in price while offering a true global shutter sensor with no rolling shutter distortion. Using a 4/3 sized sensor at 50MP with 48MP being used for 8k Capture it may seem overkill when it comes to low light performance. It may be able to deliver resolution levels never before seen on cinema cameras but low-light will surely be a hurdle for the camera to overcome.→ Continue Reading Full Post ←
The Chronos 1.4c Team has been ramping up software releases with the latest v0.3 RC1 being dropped just a few hours ago. Be aware that this is not mission critical stable software so only use on your own testing and not for recording once in a lifetime events. The big fixes are in the color pipeline and how the camera handles pixel color especially red tones which were a little pinkish in previous software releases. It seems the entire color acquisition pipeline has received an overhaul. This should improve the color rendition on all objects plus the added benefit of less tweaking in post.
There are also several UI improvements like the ability to clear some warnings, move the button layout pane around the main interface screen and the ability to auto-save clips after shooting. HSC will be testing the new software and report back when we get some new images. We are preparing a color test to see before and after the software update and how much color has improved with the release.→ Continue Reading Full Post ←
Linus Tech Tips is probably the most well-known hardware enthusiast show on the net today. You can find all sorts of cool geeky stuff tested, assembled and destroyed in some cases. This time it was the turn for Krontech.ca to get a visit from the Linus team which funnily enough is very close to them geographically in the vicinity of Vancouver BC, Canada.
There is a quick tour around the startup headquarters as well as a nostalgic look back at the prototype cameras that evolved in what we know today as the Chronos 1.4c which is capable of 1,502fps at 720p resolution and recently able to record in RAW 16bit DNG format which makes it professionally usable in any setting given an adequate amount of light.→ Continue Reading Full Post ←
It seems that the cellphone has once again taken no prisoners when it comes to the portable consumer camera. Casio which was probably the most influential affordable high-speed camera developer 10 year ago with the EX-F1 has now decided to retrench and effectively end their portable consumer camera development due to mounting losses with no clear path to profitability for the division.
The Japanese hi-tech company generated a loss of 500 million Yen (or $4.6 million U$) in the 2017 fiscal year for the division. They will effectively pull out of the market to stop the bleeding. It is quite sad to see a company that created the EX-F1 and the excellent EX-FH20 eliminate their entire consumer camera division. Could things have been different and could they have avoided the phone camera erosion that has obliterated the sales of most manufacturers? Our only thought would be that they did not innovate fast enough to remain competitive for the consumer to be a real alternative.→ Continue Reading Full Post ←
Z Cam the relatively new Camera company from Shenzhen, China has announced the Z Cam E2 at NAB 2018 MSRP $1,999.00 USD. It is not a direct replacement for their ambitious but half-baked Z E1 m4/3 camera which costs $399. The new camera is a beast specs wise with up to 120fps 4k and full HD 1080p at 240fps. The codecs will be H.264 and H.265 at 10 bit but no RAW support so far which might be acceptable if the codec is clean enough and their promised Log Flat curve preserves the estimated 13.5 stops of dynamic range.
The camera is still being developed for a June 2018 estimated ship date. It lacks a back screen and relies on a Wifi or Gigabit Ethernet link to their dedicated control application. They intend to support iOS devices and or a PC client. No mention of Android support or Mac which should be included in order to maintain the widest compatibility. We feel lacking Android control is a big deal and should be promised in a future update. It is also unclear if the camera will be possible to use by using a touch screen field monitor which probably will not be the case. Using an iPhone or an iPad as the control interface is probably the best use case.→ Continue Reading Full Post ←
