Sony today has announced a pretty important pair of products the Sony A7s II and the Sony FS5 Pro Model. On the one hand video producers that adopted the Sony A7s last year due to it’s impressive dynamic range and extreme low light ability at up to ISO 409,600; were in a bind as recording 4k with the camera needed an external recorder in order to do it. It also had no sensor image stabilization which is a very useful feature. Not anymore the newly announced Sony A7s II has internal 4k with S-Log 3 flat profile mode and it also boosts last years 120fps at 720p to Full HD and full sensor readout 1080p at 120fps. From the samples the quality seems impressive and artifact free, it will be a matter of looking at non Sony samples to see if the quality is that good in the 120fps FHD mode.
We are taking a little “vacation/camera testing” time until September 8th so we will not be updating the site until then. However we gathered a few cool slowmo videos to keep you entertained until we get back. Thanks as always for your support!
The Odyssey7Q+ by convergent design has always been able to record faster than normal frame rates but now it is able to do so directly into Pro Res bypassing RAW capture all-together which yielded massive file sizes. With the new ProRes recording workflow you can use more high frame rate capture in your productions without needing new hard drive arrays.→ Continue Reading Full Post ←
The new Sony Xperia M5 and M5 Dual smartphones sporting android 5.0 make use of the Mediatek Helio X10 chipset which is capable in specs of 480fps 1080p video. However you will not find that high end spec in these phones even when the phone and sensor combination should be able to support it. You still get slow motion but the plain vanilla 120fps 720p that you’ve grown accustomed to while browsing for high end smartphones. The phone is waterproof but as advised by Sony it should not be fully immersed as the charging port is uncovered. It should be however rain and splash proof without much worry. If you wanted to take underwater pictures in the ocean, the Sony Xperia M5 phones will not allow you to do this unless they are in a waterproof external case.
Sony Xperia M5 and M5 Dual Specs:
Camera
Main camera 21.5 MP Exmor RS with Hybrid AF F2.2 with ISO up to 3200
Front camera 13 MP Exmor RS with AF
HSC: The main camera is very powerful at 21.5MP and should be responsive in multi shot burst environments, the sensor is one of the latest in the Sony Exmor series and should be a BSI design with great low light performance.→ Continue Reading Full Post ←
The newly announced Canon ME20F-SH Camera besides it’s overly unpronounceable name and a price tag of $30,000 USD has what could be a record for any sensor to date. The ISO 4 million mark on this camera/sensor is able to record footage in full color at night. It over exposes footage only lit by a full moon. The Sony A7s last year was a revelation of where sensor technology is going with it’s close to 1/2 million ISO at 409,600 . It could shoot in near complete darkness and could do a good job at it. What Canon has done with the ME20F-SH is build their peak sensor technology into a 35mm Full Frame Sensor but with only 1080p Full HD resolution. The Sony A7s can shoot 4k footage with the HDMI output on an external recorder. This makes the pixel size on the Sony more constrained even with a Full Frame Sensor.
The pixel pitch size on the Sony A7s (12MP on a full frame CMOS Sensor) is around 8.4 µm; in contrast the new Canon ME20F-SH has a 19 µm pixel size in a Full Frame Sensor. This is an amazing performer in low light and probably the most sensitive sensor ever made for commercial purposes. At 2.26 Megapixels this is the state of the art for large pixels with impressive dynamic range and low light. It is unclear how the low resolution in such a large sensor will behave when it comes to moire and aliasing artifacts.→ Continue Reading Full Post ←
