Nikon has delivered a shockwave for affordable slow motion with the three new Nikon DL Cameras announced yesterday. At first glance it seems a refresh of previous cameras with a 1″ sensor module but actually these are a completely new breed.
For starters the cameras offered are basically the same bare bones electronics with the difference being in a specific focal length for the fixed lens assembly. The cameras are presented in a DL18-50mm for the wide angle shooters, DL24-500mm for the sports and nature crowd who need the reach and DL24-85mm for portraits and general photography with a Super Macro mode.→ Continue Reading Full Post ←
Video ramping is not new, it is actually been here for quite a few years in cameras and widely accessible in modern video editors. The problem is that it is still a hard thing to do properly. You either get choppy results, artifacts or pretty amazing ones by chance or by sheer trial and error and are not easily repeatable. This is where Speedramp by Prolost.com comes in!
After effects has had Time Remapping for a few years in the CS releases including Premiere Pro; but as with almost any built in feature in software it is hardly polished as well as it could be. Speedramp builds on top of the Adobe Time Remapping by incorporating a simple to use workflow that is capable of being tweaked and altered by simple parameters until you get the desired effect.→ Continue Reading Full Post ←
Panasonic has released the specs of a new smaller version of their Varicam professional video camera with an S35mm sensor. The Varicam LT is the low cost version of the Varicam 35 which has higher end specs at a significantly higher price. The Varicam 35 has a 4k mode that allows up to 120fps at full 4k resolution while the Varicam LT has less power at a maximum of 4k 60fps.
The LT is mostly identical after that 4k downgrade in the rest of it’s capabilities with dual native ISO of 800 ISO and 5000 ISO for extremely clean image quality at those native ISOs. The Sensor itself is built for those opportunities that need higher sensitivity but also allow to shoot at reduced sensitivity for bright conditions. This is great news for the use of the high frame rate feature. The inclusion of EF mount and PL signify the seriousness of the product for an installed base of videographers and film makers with a growing arsenal of Canon and PL glass instead of Panasonic only lenses. They also state that EF lens compatibility will need to be tested and they will not support it directly.→ Continue Reading Full Post ←
Nicolas Vuignier is an extreme skier and pretty able action camera man that has devised a contraption that creates a centrifugal force tether to suspend a camera in this case an iPhone 6 and record 360 degree slow motion video for a “The Matrix” like bullet time effect while descending from a steep snow covered mountain.
He is working on a behind the scenes video “Making Of” which will show how he was able to do it in terms of gear, the tether and the skills necessary to pull it off. In theory a tether like this could be used with even more slow motion capable cameras at higher frame rates for an even greater effect.→ Continue Reading Full Post ←
The Sony a6000 was a good middle of the line performer with pretty competitive performance. The new a6300 is a refined version with some pretty robust improvements in the video area.
For starters the 4k 30p, 24p, 25p video internal mode records in the robust XAVC-S video format at up to 100Mbps which is comparable to what the Panasonic GH4 and a7s II cameras record 4k into. It also has S-Log3 Gamma for a flat profile for creative grading and LUT application for editors and colorists. If you were looking for a Sony 4k alternative in an S35 crop sensor then this is the camera for you. Furthermore the 4k mode is using the entire S35 frame and correctly down-sampling the image for extremely crisp looking 4k video from a 6k original sensor source.→ Continue Reading Full Post ←
tesla500 is a Youtube and Patreon video channel by Electronics Engineer David Kronstein that has a lot of videos of engineering projects and troubleshooting / fixing stuff. Some videos are based on a homebrew camera project that gained our attention. The camera is a high speed monochrome at the moment with HSC768 name which is based on the data rate of the image sensor, in this case 768Mpix/s, or about 960MB/s . The camera project started in 2014 as a way to get a high speed camera for the lab without paying the hefty premium.
