Panasonic has released a Beta tethering software package for use in Windows 10 that allows you to control your Lumix camera from the computer to shoot images and video while at the same time use it to monitor the live view video signal with now the specific change that lets you remove the overlay display items from the camera to get a clean feed to your video conferencing software.
However, it is not that easy to get it to work and requires a couple of free pieces of software to let you extract the live view feed from the camera and redirect it to a video conferencing application of your choice. We were able to get it to work well and it really makes a difference compared to the small sensor webcams you have been using. Place a 1.4 lens in the camera and look at the beautiful feed that will result by using a professional camera and optics system to make you look better.→ Continue Reading Full Post ←
The new Z CAM E2 – M4 Micro 4/3″ sensor cinema 4k camera offers performance that punches way above its own price weight of just $1,499 @ Adorama which is $500 less than the very similar regular Z CAM E2 just lacking Multicam synch support which is a very minor trade off considering the power and benefits you gain. It has Triple native ISO of 80 / 160 / 800 and 13 stops of DR using their ZLog profile, and 16 stops of DR in WDR mode which does some HDR processing.
The frame rates are also outstanding for such a low-cost camera and while the higher setting requires H.265 encoding which for many is not ideal considering it lowers the bit depth from 10 bits to 8, it offers what many cameras only dream of. 160fps in 4k in beautiful resolution and up to 240fps in 1080p which has very good quality with some compromises.→ Continue Reading Full Post ←
DJI has unveiled the Mavic Air 2 consumer drone with incredible specs and a fit and finish that rivals their more expensive lineup. We have been waiting for a successor to the original Mavic Air to see where the platform was taking high frame rates but while we now have a 240fps 1080p mode, it hardly what we would call usable for production. There is a softness and compression that while they look ok for amateur and some Youtube videos it fails for professionals that need that quality output.
There is a lot to like here like the 48MP sensor with 8k hyperlapse and stills mode with RAW along with a better than most other drones 4k UHD mode at 60fps with 120Mbps codec. It is really a steal if you were waiting for a drone that can do it all and not break your budget. You get many high-end features on a minute package that while a little big compared to mini drones, it is really small compared to the full-sized Mavic line.→ Continue Reading Full Post ←
This year we have decided to have a special post to highlight the advancements in smartphone camera systems that allow the recording of super slow motion video. We have seen after all huge advancement this year especially by Asian companies making their best efforts to exploit the camera module’s strengths without crippling them to sell a newer model. The Chinese have decided to create a camera war between phone builders that one-up each other every few months.
We value image quality just as high as frame rate and when phones claim to be 1080p in high frame rate modes we usually find that the real case if 720p or similar upscaled to full HD 1080 with artifacts and jagged edges that can make you dizzy. But not all phones are created equal and that is where this list of the best of 2019 comes in. If by any chance an even stronger contender comes in before the end of the year we might revise this list but it would be a fluke.→ Continue Reading Full Post ←
The Huawei Mate 30 Pro has been out for a few weeks outside the US, mainly in China and India and we have gathered 15 video samples from its slow motion mode which as of today is the best performing high-speed phone ever developed. We had some shortcomings about the way the phone reaches the highly hyped 7,680fps mode which is 1920fps multiplied by 4x in software from a small snapshot of the video memory.
We also had some suspicions that the 1080p 960fps mode was also interpolated but looking at the samples we gathered it seems that was a premature call. The phone is actually capturing the full frame rate at 1080p or close to that. The real max mode is 1920fps at 720p which is then interpolated to 7,680fps with good success by the new Kirin 990 chipset. Your mileage may vary and the results depend on the subject matter more than anything as organic slower motion looks much better than fast unpredictable bursts that break the interpolation algorithm.→ Continue Reading Full Post ←
Now that Apple’s latest and greatest phone the iPhone 11 and 11 Pro Max have been out in the wild for a few weeks, it is time to revisit the performance of the slow motion video mode of this all-encompassing handset. The iPhone has always been a good slow mo performer but the new cameras and bigger lenses with more advanced processing gave us high hopes for increases in video quality and fewer artifacts.
The slow motion quality should be better across both the 11 and 11 Max since they share essentially the same system of optics and bionic chip. Quality must be identical except for the two or three camera configurations. One thing that separates the iPhone is that you can shoot slow motion in all cameras and not just in the standard wide like Samsung or other Android phones. This is one thing Apple wins in spades and we hope to see other manufacturers adopt as standard.→ Continue Reading Full Post ←
