So now that the Xperia 1 phone has started shipping to some parts of Asia and Oceania it is time to see what the initial slow motion 960fps samples look like. It seems that the length of the playback video is unchanged at 6.4 seconds for 720p and 3.2 seconds for 1080p. So 96frames are recorded at 1080p 960fps and 192frames at 720p. This is the same restrictive spec for three years in a row by Sony.
You would think by now the phone could have increased the slow motion buffer to something useful like at least half a second instead of 0.2sec for 720p and 0.1sec for 1080p. Think again, it seems we will not get anywhere near usable times in 2019 from the Xperia Line again. Your best bet for recording on Sony will be to get a camera like the excellent RX Series that allow much longer recording times and greater resolution.
This week Sony Announced Xperia 1, the successor to their previous flagship the Xperia XZ3 with a few new features and a very ultra-wide 21:9 CinemaWide™ 4K HDR OLED display which creates cinematic like aspect ratio UHD video with what they claim Cinealta HDR color science. The footage does look impressive at first glance but we have to remember the small sensor on phones simply cannot compete with an APS-C or Full Frame Cinealta camera sensor.
The good news is that the phone continues to offer the 960fps Full HD 1080p spec as in previous phones the XZ series. Sony chose to not allow initial samples of footage shot in various modes including the high speed because the phone is not finalized. From anecdotal evidence, it seems to compare favorably with their Xperia XZ3 but with some better color characteristics due to the Cinealta heritage color LUTs.
The original Sony FS5 not the Mark II which does 240fps and 120fps full HD recording with excellent quality as well as 4k 240fps with an external recorder has dropped in price precipitously. The -$750 price drop makes the camera only $3,498 for the body only which is now competitive with pro SLRs and higher-end mirrorless cameras.
The FS5 camera has been used in productions all over the world and it is a favorite of many videographers for its form factor and dependability. We like it here at HSC by retaining the 10th position on our guide with excellent quality 120fps and 240fps full HD 1080p and pristine quality in 4k 240fps using a recorder like the Atomos Shogun series. The camera also allows 480fps and 960fps @ 1920*270px for short bursts much like the Sony RX series but slightly behind in quality to those latest cameras in those higher modes. Is an FS5 Mark III getting ready to launch or just end of product life rebates?
There has been a lack of big camera announcements at NAB 2017, with more and more saturation and less camera replacement by TV studios and Filmmakers there is talk of good enough gear already purchased for 4k and 2k/1080p production. The Alexa, RED, Sony F55 and Varicam LT cameras released in the last few years already exceeds most delivery methods in quality and completely obliterates the compressed cable delivery streams for hove TVs.
However manufacturers like Sony & Panasonic have released information about new firmware updates that will improve high frame rate recording on some of their cameras as free updates. This in turn makes for a practical camera line refresh that gives more longevity to the existing hardware while permitting more high speed latitude to current owners.
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