Warning: The parent company of FPS cameras “The Slow Motion Camera Company Ltd.” went out of business and entered liquidation proceedings. No further development of cameras is expected. More information here on Google Search!
The latest fps1000 update has something that buyers of the Kickstarter project have been waiting for months; this wait is over and we can now finally see the first images of the new camera iteration with a turned on screen and included 50mm C lens for C mount models. What is clear is that the little camera has evolved into a real and tangible piece of gear with a lot of features apparent in the initial software release.→ Continue Reading Full Post ←
The Odyssey7Q+ by convergent design has always been able to record faster than normal frame rates but now it is able to do so directly into Pro Res bypassing RAW capture all-together which yielded massive file sizes. With the new ProRes recording workflow you can use more high frame rate capture in your productions without needing new hard drive arrays.→ Continue Reading Full Post ←
The newly announced Canon ME20F-SH Camera besides it’s overly unpronounceable name and a price tag of $30,000 USD has what could be a record for any sensor to date. The ISO 4 million mark on this camera/sensor is able to record footage in full color at night. It over exposes footage only lit by a full moon. The Sony A7s last year was a revelation of where sensor technology is going with it’s close to 1/2 million ISO at 409,600 . It could shoot in near complete darkness and could do a good job at it. What Canon has done with the ME20F-SH is build their peak sensor technology into a 35mm Full Frame Sensor but with only 1080p Full HD resolution. The Sony A7s can shoot 4k footage with the HDMI output on an external recorder. This makes the pixel size on the Sony more constrained even with a Full Frame Sensor.
The pixel pitch size on the Sony A7s (12MP on a full frame CMOS Sensor) is around 8.4 µm; in contrast the new Canon ME20F-SH has a 19 µm pixel size in a Full Frame Sensor. This is an amazing performer in low light and probably the most sensitive sensor ever made for commercial purposes. At 2.26 Megapixels this is the state of the art for large pixels with impressive dynamic range and low light. It is unclear how the low resolution in such a large sensor will behave when it comes to moire and aliasing artifacts.→ Continue Reading Full Post ←
The Moto X has kind of always suffered from a mid range hardware complex; overall pretty good but never has had a high end feel to the feature set compared to rivals like the iPhone and the Samsung Galaxy Series. If the latest Moto X rumors of the phone for 2015 refresh are to be believed the camera on the Moto X 2015 might go punch to punch with the best around while at the same time offer even more with slow motion features that rival the iPhone 6 in some cases and beat it in others.
As with any rumors you should take them with a grain of salt, however with the looming release date said to be Tuesday of next week, it could all be accurate. However no promises.→ Continue Reading Full Post ←
Renowned filmmaker / DP and all around nice guy Philip Bloom has been having fun with both the Sony RX10 II and RX100 IV this past few days. He has tested the slow motion and 4k modes extensively and has done a fantastic rundown of the usability, performance and pitfalls on using the cameras. There are a lot of interesting tidbits that He discovered such as the 240fps NTSC and 250fps PAL modes are nearly HD in quality and extremely usable very close to what the much more expensive Sony FS700 camera achieves.
When recording the 2 second quality priority mode it records back to the SD card in Real time that means a 2 second video at 240fps will take 20 seconds if saved as 24p for the frame count of 480 frames duration. At 480fps for 2 seconds of 960 frames it will take 40 seconds of write time to the SD card. This is in line with most slow motion cameras and it is a point to be considered while using the HFR modes. You will have to plan ahead as the camera will be unavailable for use for quite a long time before the next shot is ready to be taken. This is a normal thing in most high speed cameras.→ Continue Reading Full Post ←
