Tag Archives: Sony RX

Sony ZV-1 Slow Motion is a newer cheaper RX100 alternative!

Sony ZV-1 Slow Motion

Sony has revealed the ZV-1 Vlogging camera which uses the tried and true technology of the RX100 series and simplifies the body controls plus allows the screen to be of the vari-angle kind to work essentially as a do it all solution for web Vlogs. The body is reminiscent of the latest RX100 VII and very close to the previous generations but with the added benefit of a real video-oriented 360-degree screen.

As an RX Camera it features our favorite slow motion mode of the compact camera world, the Motion Eye or HFR Sony mode which offers up to 1000fps on sub HD resolution at capture time and near 1080p at 240fps with excellent quality.  We dive into the camera’s slow motion mode to see if anything has improved from the RX line and if this camera with it’s lower entry price makes more sense to own than the RX100 line. → Continue Reading Full Post ←

Sony RX100 VII Has Stagnant Slow Motion Specs!

The Sony RX100 VII or also known as the RX100M7 is the latest in the stacked 1″ CMOS sensor line from the company in what amounts to another evolutionary incremental step without a real revolution.  New is the impressive real-time AF technology from the Sony a9 professional camera now miniaturized into this pocketable beast with up to 20fps at full resolution and up to 90fps in high burst mode but for only 7 shots which is kind of a letdown as it is very limited.

The HFR mode in previous RX series cameras have been one of our favorites among the cameras released in the past few years by including truly usable 240p, 480/500p, and 960/1000p depending on NTSC or PAL mode selection with also the ability to trigger a pre and post record time to not miss the moment. This ability is akin to what a real dedicated serious slow motion camera can deliver. The problem is that the RX cameras are severely time-limited at 4 seconds quality priority time and or 7 seconds in shoot time priority. → Continue Reading Full Post ←

Sony RX0 II Slow Motion The Same With New 4k Internal!

Sony RX0 II Slow Motion

Sony has released the RX0 Mark II which now includes the ability to record 4k internally as opposed to using an external recorder. Other goodies include a new flippy screen which while tiny, it allows for easy framing and selfie vlogger styles. A new stabilizer is included for reducing shake and it is a definite improvement even when the rolling shutter is a real problem.

Most of the camera is the same as before when it comes to body shape and usability, the higher frame rates are identical as the 2017 RX0 Mark I with essentially the same resolution and time recording. The big improvement comes in the screen and internal 4k recording with stabilization which seems to be directly aimed at vloggers. The sensor is, however, a tad less crowded by pixels at  15.3MP on the Mark II vs 21MP on the Mark 1. That should help in the low light department. → Continue Reading Full Post ←

Panasonic S Series Could Taper Slow Motion Curve!

Panasonic S Series

The announcement of the Panasonic S series is a complete acceptance that smaller m4/3 sensors are not the future but the past. As now Canon, Nikon, Fuji, Sony, Leica and now Panasonic have shifted priorities to Full Frame Sensors as mirrorless has allowed the smaller form factor without compromising low light performance and absolute stills image quality.  Fuji is also going strong on Medium Format stills oriented cameras like the new portable GFX 50R which meshes a rangefinder camera with a huge MF sensor.

The move by Panasonic, which had been leading in mirrorless frame rates in continued recording with their Lumix GH5 and GH5s Series up to 240fps 1080p,  will now focus on larger sensors that produce more heat and may be much slower to read at high speeds.  Sony has so far been able to only have 120fps 1080p recording in their a7 series for example.  If the Panasonic S1 at 24MP can only do 120fps 1080p which is still unknown, it will not bode well for slow motion frame rates for some time. → Continue Reading Full Post ←

Sony RX100 VI Initial Slow Motion Samples!

Sony RX100 VI Initial Slow Motion

The Sony RX100 VI camera has not reached the reviewers yet for a full in-depth look but the early press shoots did gather some slow-motion footage which shows the camera in action. We also got a final word from a good source that the camera has the exact same  HFR resolution and timing features as the RX100 V which means there is no improvement in the quality of the image when shooting higher frame rates.

In fact, you may even get lesser quality footage due to the lens being now an 8x f2.8 to f4.5 lens 24-200mm (35mm Equivalent) which is much slower and by optical standards, it should trail the 2.91x  f/1.8-2.8 Lens 24-70mm (35mm Equivalent) of the RX100 V.  So you get a $250 price increase for a better AF system, better color in video, a better tilt screen which is now full touch and the ability to zoom 8x. If those things are important to you then the extra money may be worth it. → Continue Reading Full Post ←

Sony RX100 VI Keeps HFR Adds Long Lens!

Sony RX100 VI HFR

So nearly two years after the excellent RX100 V by Sony was released, which won on our recommendation for slow-motion camera on a budget for both 2016 and 2017, the new RX100 VI or the sixth iteration of this specific camera line has been announced. It keeps the same body size but out goes the fast f1.8-f2.4 lens of old which was surprisingly good for a now average f2.4 to f4.5 24-200mm equivalent or 8x optical zoom which is great as a do it all range.  Many are not thrilled but we will have to see if the sensor advancements, the new 4 stop stabilization, and noise suppression works well enough to keep it an acceptable low light option.

Our main interest in these cameras lies in the fact that HFR mode or (High Frame Rate) has been a key selling point since the cameras first appeared. The RX 100 V improved resolution and recording time and we are glad to see that the new RX 100 VI maintains those specs. We estimate it will at least be the same 7sec in Shoot Time Priority and 4 seconds in Quality Priority. → Continue Reading Full Post ←