Tag Archives: Sony RX

Sony RX100 VI Initial Slow Motion Samples!

Sony RX100 VI Initial Slow Motion

The Sony RX100 VI camera has not reached the reviewers yet for a full in-depth look but the early press shoots did gather some slow-motion footage which shows the camera in action. We also got a final word from a good source that the camera has the exact same  HFR resolution and timing features as the RX100 V which means there is no improvement in the quality of the image when shooting higher frame rates.

In fact, you may even get lesser quality footage due to the lens being now an 8x f2.8 to f4.5 lens 24-200mm (35mm Equivalent) which is much slower and by optical standards, it should trail the 2.91x  f/1.8-2.8 Lens 24-70mm (35mm Equivalent) of the RX100 V.  So you get a $250 price increase for a better AF system, better color in video, a better tilt screen which is now full touch and the ability to zoom 8x. If those things are important to you then the extra money may be worth it. → Continue Reading Full Post ←

Sony RX100 VI Keeps HFR Adds Long Lens!

Sony RX100 VI HFR

So nearly two years after the excellent RX100 V by Sony was released, which won on our recommendation for slow-motion camera on a budget for both 2016 and 2017, the new RX100 VI or the sixth iteration of this specific camera line has been announced. It keeps the same body size but out goes the fast f1.8-f2.4 lens of old which was surprisingly good for a now average f2.4 to f4.5 24-200mm equivalent or 8x optical zoom which is great as a do it all range.  Many are not thrilled but we will have to see if the sensor advancements, the new 4 stop stabilization, and noise suppression works well enough to keep it an acceptable low light option.

Our main interest in these cameras lies in the fact that HFR mode or (High Frame Rate) has been a key selling point since the cameras first appeared. The RX 100 V improved resolution and recording time and we are glad to see that the new RX 100 VI maintains those specs. We estimate it will at least be the same 7sec in Shoot Time Priority and 4 seconds in Quality Priority. → Continue Reading Full Post ←

Slow Motion Shoot Out By EOSHD!

Slow Motion Shoot Out EOSHD

Andrew Reid the filmmaker and video editor that runs the EOSHD camera/video blog has made a very good test comparing most of the current mirrorless and DSLR cameras that shoot high frame rates at 120fps.  This is not only a hard test to do because you need all of the gear but you also have to analyze the results based on per pixel quality, detail retention, dynamic range, and color information.

The test footage is easy to follow and will really help you in deciding which camera is better in slow motion. The results help level the playing field between these cameras and lets you compare the performance vs price.  We wish the test included the new Sony a9 Mirrorless camera which we know delivers superb image quality at 120fps. → Continue Reading Full Post ←

Nikon DL is Killed Off, Now What?

Nikon DL is Killed Off

The Nikon DL was really the only strong contender in the pro-sumer compact camera line from Nikon to offer fast frame rates if it had shipped.  The only other remotely considerable high speed option by the company is the Nikon 1 series in their V and J options which haven’t been updated in a while.

The cancellation of the Nikon DL series was due mainly to technical issues with the image processor which made the company miss the June 2016 target ship date & second, a  restructuring effort after the company reported a net loss of ¥831 Million Yen or 7.3 Million US Dollars .  This is no small predicament as the company had reported in the same time frame last year a net profit of  ¥18.71 billion Yen or $165 Million USD.   → Continue Reading Full Post ←

Nikon DL Has Powerful Slow Motion!

NikonDLfps

Nikon has delivered a shockwave for affordable slow motion with the three new Nikon DL Cameras announced yesterday.  At first glance it seems a refresh of previous cameras with a 1″ sensor module but actually these are a completely new breed.

For starters the cameras offered are basically the same bare bones electronics with the difference being in a specific focal length for the fixed lens assembly.  The cameras are presented in a DL18-50mm for the wide angle shooters, DL24-500mm for the sports and nature crowd who need the reach and DL24-85mm for portraits and general photography with a Super Macro mode. → Continue Reading Full Post ←