The Galaxy Note 10 is Samsung’s most expensive flagship phone yet and as it should be it is also the most capable. We recently saw some slow motion samples that we wanted to share and why this phone is the best quality slow motion a Samsung phone has ever been able to produce. Sure the quality difference between the Note 10 and the Galaxy S10 is very small but it is there. We see less moire and aliasing than on the S10 and the detail retained is also better.
We were disappointed at first that 720p was still the top resolution for slow motion. But the only 1080p phone alternative the Sony Xperia Series like the Xperia One is only recording 0.1 seconds of slow motion at 960fps 1080p which is next to useless. Furthermore, the supposed 1080p quality looks just a tad better than the Samsung which is not particularly high quality either.→ Continue Reading Full Post ←
Samsung has released the Galaxy Note 10 and 10+ with even a 5G variant which was probably the most leaked phone of the year aside from the iPhone refresh coming next month. The phone has some beefed up specs and an impressive screen with a center cut upper camera punch-hole that love it or hate it is here to stay for now.
The video specs and photo specs look similar to the Galaxy S10 but with better color, dynamic range, lens elements and better overall video compression which looks very nice. The Galaxy S10 was no slouch in video mode but the Note 10 has the better compression and color processing that makes it a notch above. The slow motion spec remains the same as last year’s Note 9 and Galaxy S10 so Samsung is also stagnating in this respect.→ Continue Reading Full Post ←
The Sony RX100 VII or also known as the RX100M7 is the latest in the stacked 1″ CMOS sensor line from the company in what amounts to another evolutionary incremental step without a real revolution. New is the impressive real-time AF technology from the Sony a9 professional camera now miniaturized into this pocketable beast with up to 20fps at full resolution and up to 90fps in high burst mode but for only 7 shots which is kind of a letdown as it is very limited.
The HFR mode in previous RX series cameras have been one of our favorites among the cameras released in the past few years by including truly usable 240p, 480/500p, and 960/1000p depending on NTSC or PAL mode selection with also the ability to trigger a pre and post record time to not miss the moment. This ability is akin to what a real dedicated serious slow motion camera can deliver. The problem is that the RX cameras are severely time-limited at 4 seconds quality priority time and or 7 seconds in shoot time priority.→ Continue Reading Full Post ←
The newly released Canon G7 X III and G5 X II Powershot cameras are finally upping the stagnant slow motion features of these lines to a very 2014 spec of 120fps Full HD. Up to now Canon had capped the Full HD Performance at 60fps 1080p and a maximum of 120fps at 720p with a severe crop. There is no mention of a 240fps 720p spec which makes us believe that there is no 720p video option besides maybe a 30p mode.
Both cameras sport a 20.1MP 1″ inch Stacked CMOS sensor and DIGIC 8 Image Processor reminiscent of the Sony RX series. We estimate this might be the same Sony sensor employed but without the super slow motion capabilities of 480/500fps and 960/1000fps modes that have made that line of cameras a cut apart.→ Continue Reading Full Post ←
Panasonic not to be outdone by sales rivals is pre-announcing the S1H camera to appease video-centric mirrorless users who want that extra edge. It has a 6k mode which will allow for better stabilization and cropping/punching in on 4k timelines while giving the user bragging rights. It has a 14 stop dynamic range spec which if we look at the sensor it is only on a couple of capture settings the rest is 12 bit.
There is also no mention of higher frame rates besides UHD 4k 60p which we presume will be 180fps 1080p max since this camera shares nearly the same internals as the other Panasonic S1 cameras. We do not expect this camera to have better slow motion video than the regular S1 even with its $4000 price tag. The camera looks to be aimed at the mid-high end of the video market and allow it to record without limits which on the regular S1 is 29min.→ Continue Reading Full Post ←
The Introduction of the DJI OSMO Action camera marks what many called the ultimate silver bullet to counter the GoPro Hero camera line. It is an evolutionary step that takes most of what made the GoPro Hero Black series amazing and even goes further by improving in areas where GoPro has fallen behind. The Stabilizer seems better as is the addition of a secondary selfie screen in order to frame yourself while recording.
It gets the usual frame rates of 120fps & 240fps 1080p full HD and the 4k 60fps spec. None of these are revolutionary or groundbreaking which means this is a version 1 product for DJI. Phones, for example, are already in the 960fps and 1000fps spec even when they are limited to fractions of a second. A Camera like the OSMO Action could have gotten a bit of this slow motion prowess and differentiate from GoPro even further but not this time around. We have a few samples of the higher frame rates for you too look at and see if it makes sense to acquire this camera instead of other options.→ Continue Reading Full Post ←
