Tag Archives: Slo-mo

CHRONOS 1.4 SOFTWARE V0.3 RC2 Released!

Chronos 1.4 Software V0.3 RC2

The Chronos 1.4c Team has released the latest v0.3 RC2 software for testing.  Be aware that this is not mission critical stable software so only use on your own private testing and not for recording mission critical shoots.  The Interface can now be flipped to the left side though we would love to see an option to be concentrated on the lower part for better screen real-estate distribution.

We have tested over the last few days and are happy to report that the software has been stable and rock solid with no lock-ups and no sluggishness.  The Color science was improved since the first v0.3 RC1 release to render the red colors among others more faithfully. In our testing, there was a definite improvement but we would like to see better treatment of the deep blues and magentas. We are happy to see White Balance is now supporting built-in presets! → Continue Reading Full Post ←

Sony RX100 VI Initial Slow Motion Samples!

Sony RX100 VI Initial Slow Motion

The Sony RX100 VI camera has not reached the reviewers yet for a full in-depth look but the early press shoots did gather some slow-motion footage which shows the camera in action. We also got a final word from a good source that the camera has the exact same  HFR resolution and timing features as the RX100 V which means there is no improvement in the quality of the image when shooting higher frame rates.

In fact, you may even get lesser quality footage due to the lens being now an 8x f2.8 to f4.5 lens 24-200mm (35mm Equivalent) which is much slower and by optical standards, it should trail the 2.91x  f/1.8-2.8 Lens 24-70mm (35mm Equivalent) of the RX100 V.  So you get a $250 price increase for a better AF system, better color in video, a better tilt screen which is now full touch and the ability to zoom 8x. If those things are important to you then the extra money may be worth it. → Continue Reading Full Post ←

Sony RX100 VI Keeps HFR Adds Long Lens!

Sony RX100 VI HFR

So nearly two years after the excellent RX100 V by Sony was released, which won on our recommendation for slow-motion camera on a budget for both 2016 and 2017, the new RX100 VI or the sixth iteration of this specific camera line has been announced. It keeps the same body size but out goes the fast f1.8-f2.4 lens of old which was surprisingly good for a now average f2.4 to f4.5 24-200mm equivalent or 8x optical zoom which is great as a do it all range.  Many are not thrilled but we will have to see if the sensor advancements, the new 4 stop stabilization, and noise suppression works well enough to keep it an acceptable low light option.

Our main interest in these cameras lies in the fact that HFR mode or (High Frame Rate) has been a key selling point since the cameras first appeared. The RX 100 V improved resolution and recording time and we are glad to see that the new RX 100 VI maintains those specs. We estimate it will at least be the same 7sec in Shoot Time Priority and 4 seconds in Quality Priority. → Continue Reading Full Post ←

Xiaomi Mi 8 Has 240fps 1080p Slow Motion!

Xiaomi Mi 8 Slow Motion

The Chinese tech company Xiaomi has released it’s latest high-end flagship phone the Mi 8 which has the highest ever specs for a Xiaomi Phone with great benchmark scores to boot.  It has up to 8GB of RAM with a Snapdragon 845 chip at 2.8Ghz which should perform admirably. The phone is targeted for under $500 in Asia for the lower version spec and under $700 USD for the highest Explorer version.

The video modes are what you would expect from a competitive flagship with UHD 30p 4k and 1080p up to 60fps standard with the option to go 120fps and 240fps in both full HD and regular 720p HD modes.  240p is becoming a standard for full HD and it is encouraging to see that phones all over the globe are adopting these specs as near standard now at least in the higher end. The 4k 60p spec is missing here so the iPhone and other phones that can do it are still preferable for high-end phone video capture. → Continue Reading Full Post ←

Slow Motion Watch May 2018!

Slow Motion Watch May 2018

There have been some jaw-dropping slow-motion videos produced so far in  2018 and we want to showcase a small but excellent sample of them in Slow Motion Video Watch. Thank you to our readers for many of these submissions, we really appreciate your help in finding much of this footage as the sheer amount of quality material produced would make it much harder to select the good ones.

We have some incredible magnet work, weapons, military artillery, hockey, gymnastics and also the recent royal wedding in full display. It is also encouraging to see the widespread adoption of slow motion in phones as handsets like the Galaxy S9 & Xperia XZ2 start to inundate the video sites with user samples. It goes to show that good planning and a well-executed shot is possible even with time restrictions and limited hardware. Send us your samples or finds on our contact page! → Continue Reading Full Post ←

Lumix TS7 First Rugged Cam Viewfinder Does 120fps!

Lumix TS7

The Lumix TS7 by Panasonic “TS7 in the US, Canada,  FT7 outside of North America” is a well-rounded package when it comes to pricing and features.  It is a 4k 30/25/24 ready camera and it can go underwater 31 Meters or 102ft plus all the cool ruggedized features you might expect on a camera of this kind like being crush-proof up to 220lbs/100kg and freezeproof down to  -10 °C / +14 °F.  It is a real alternative to smaller action cameras like the GoPro, Xiaomi Yi 4k+ and Sony Action Cam series.

The lens is a 28–128 mm 35mm equivalent 4.6x zoom range which is quite sharp across the range as we have seen from samples. The main issue with this camera is the small 1/2.3″ BSI sensor and the fact that it packs 20MP or a resolution of 5184 x 3888px which is a little too cramped to be ideal for low light or in our view underwater performance without added bright artificial lighting.  ISO goes from a low of 80 to a high of 6400 which probably is already pushing it too much.  This camera would have been a better bet with a 10 or 12MP BSI sensor to maintain some edge in low light for the competition.  → Continue Reading Full Post ←