Tag Archives: Slo-mo

Chronos 1.4 Software V0.3 RC1 Released for Testing!

Chronos 1.4 Software V0.3 RC1

The Chronos 1.4c Team has been ramping up software releases with the latest v0.3 RC1 being dropped just a few hours ago.  Be aware that this is not mission critical stable software so only use on your own testing and not for recording once in a lifetime events.  The big fixes are in the color pipeline and how the camera handles pixel color especially red tones which were a little pinkish in previous software releases. It seems the entire color acquisition pipeline has received an overhaul. This should improve the color rendition on all objects plus the added benefit of less tweaking in post.

There are also several UI improvements like the ability to clear some warnings, move the button layout pane around the main interface screen and the ability to auto-save clips after shooting.   HSC will be testing the new software and report back when we get some new images.  We are preparing a color test to see before and after the software update and how much color has improved with the release. → Continue Reading Full Post ←

fps4000 Camera Available for Rent in the UK!

fps4000 Camera

Warning: The parent company of FPS cameras “The Slow Motion Camera Company Ltd.” went out of business and entered liquidation proceedings. No further development of cameras is expected. More information here on Google Search

The fps1000, fps2000 and fps4000 projects are alive and well and are progressing forward with a unified hardware base. We are not able to share information the current state of the project other than it is advancing to a ready to ship point in the future to all outstanding backers. The fps4000 camera is able to be rented now in the United Kingdom at this website for £150.00 pounds a day plus VAT & Insurance. → Continue Reading Full Post ←

Panasonic EVA1 Firmware Update 2.02 Frame Rate Improvements!

Panasonic EVA1 Firmware 2.02

The new v2.02 firmware update for the Panasonic EVA1 includes improved bit rates at a variety of frame rates like:    2k- 422-Intra Frame Recording 200M/100M Max 120fps (equivalent to 400Mbps) Which may improve slow-motion quality considerably by allowing more data to be saved instead of scrapped.

For digital recorder owners, there is a lot to be excited about as the camera will now output RAW data at: 5.7K/30p Full sensor, 4K/60p Crop ,  2K/240p Sensor Crop.   Since the 240fps mode saved internally exhibited very severe aliasing, moire and line skipping; the fact that RAW is now a possibility should bring the camera’s capabilities up a notch and deliver excellent slow-motion quality. We hope to have some samples of the RAW recording on the EVA1 in a  future update. → Continue Reading Full Post ←

Z E2 Camera Rumor of 4k 120fps!

Z E2 Camera

The Z Cam E1 which delivered excellent quality 4k footage from a tiny package and was able to do 720p 240fps frame rates “at less than ideal quality”, however,  a new Rumor from 4/3 Rumors here shows a Twitter message that hints at a new Z E2 m4/3 camera that is able to do 120fps at full 4k resolution.  If this turns out to be true it could yield further performance improvements in 1080p and 720p along with higher quality that could be usable.

As far as linear specs go a 120p 4k pipeline could in theory yield 480fps 1080p and 960/1000fps 720p without going out of spec. As we have come to know over the years, however, it is usually wrong to extrapolate these specs to the maximum possible metric as the sensor or memory could be bottlenecks that limit the performance. So this rumor could have some legs to it and NAB 2018 could be the show that makes 4k 120p a regular feature for cameras. → Continue Reading Full Post ←

Are Slow Motion Camera Days Numbered?

Slow Motion Camera Days Numbered

Recent advances in computation, simulation, and real-time rendering have become so advanced that some visual effects artists are opting for rendering everything with CGI instead of filming it outright.  In making-off featurettes, we have seen the VFX teams scrap explosions, fluids, car crashes and actor stunts with CGI inserts that offer precise control over lighting, debris, motion, and quality which are all a crap shoot when filming with a real camera.

NVIDIA just released some demos of real-time ray tracing that surpass the best quality renderers of the 1990s with playable frame rates and ambient occlusion that in the right hands could be indistinguishable from many special effects in a film. The new RTX technology in their Volta architecture GPUs can do area shadows, true multi-level depth reflections, refraction and global illumination in real time 30+fps on a personal computer. → Continue Reading Full Post ←

MAVO Kinefinity Does 100fps at 4k!

MAVO Kinefinity

Kinefinity the company behind the pretty capable and high-quality Terra cinema camera has announced in preparation for NAB 2018 the new MAVO 6k cinema camera in s35 and Large Format sensor options in the LF version.  Along with the new body design and expansion options the camera will include ProRes 422HQ, ProRes 444 & ProRes 444XQ recording.

Kinefinity also has a RAW format “.KRW” and this has been updated to version 2.0 to support the new camera. This is akin to REDCODE RAW as the .KRW format can compress in RAW anywhere from 2:1 best quality lossless to 10:1 with more quality loss while maintaining the benefits of RAW like dynamic range, white balance, and higher bit-depth color.  It also offers the possibility to record on cinema-DNG format In-Camera at 3:1, 5:1 and 7:1 compression. The camera has several high frame rate formats depending on crop resolution. → Continue Reading Full Post ←