The EOS 70D was a big upgrade from the 60D in that nearly everything was better from the AF for stills, performance and live view Autofocus. The Canon 80D just released improves even more on the 70D than ever before by using a truly exceptional AF stills module with 45 all cross type points. This is 1D level performance in a 1k USD price range.
They include a sensor that has Dual Pixel CMOS AF same as the recently released EOS 1DX Mk II which is a 5x more expensive camera. This is in our view the killer feature of the 1DX Mk II and of the 80D as it becomes a true usable video camera with reliable autofocus. Previously unimaginable in either handycams, other video cameras and DSLRs.→ Continue Reading Full Post ←
Panasonic has released the specs of a new smaller version of their Varicam professional video camera with an S35mm sensor. The Varicam LT is the low cost version of the Varicam 35 which has higher end specs at a significantly higher price. The Varicam 35 has a 4k mode that allows up to 120fps at full 4k resolution while the Varicam LT has less power at a maximum of 4k 60fps.
The LT is mostly identical after that 4k downgrade in the rest of it’s capabilities with dual native ISO of 800 ISO and 5000 ISO for extremely clean image quality at those native ISOs. The Sensor itself is built for those opportunities that need higher sensitivity but also allow to shoot at reduced sensitivity for bright conditions. This is great news for the use of the high frame rate feature. The inclusion of EF mount and PL signify the seriousness of the product for an installed base of videographers and film makers with a growing arsenal of Canon and PL glass instead of Panasonic only lenses. They also state that EF lens compatibility will need to be tested and they will not support it directly.→ Continue Reading Full Post ←
The just announced Olympus SH-3 Camera not only does 4k video at 15fps which is far from ideal but also allows serious HD video performance in a 1/2.3″ (6.17 x 4.55 mm) Sensor fixed 24x zoom camera product with 1080p 60fps and 120fps at 720p with a smaller res 240fps mode that may work for some experimental shots. For owners of the SH-2 of last year the frame rates were already there in the same exact specs except for the 15fps 4k.
There is no question this is a mild refresh of the camera compared to last year’s SH-2. Besides some extra software image filters and 4k at 15fps which is kind of an unusual frame rate and more a gimmick that a usable video format; there is not much else to report as feature improvements.→ Continue Reading Full Post ←
Warning: The parent company of FPS cameras “The Slow Motion Camera Company Ltd.” went out of business and entered liquidation proceedings. No further development of cameras is expected. More information here on Google Search!
While there has been little chatter on the high speed fps1000 project this past month; that was no deterrent from the continuing development of the project itself. Graham Rowan the creator of the camera has posted an update with just a few quick notes.→ Continue Reading Full Post ←
The Sony a6000 was a good middle of the line performer with pretty competitive performance. The new a6300 is a refined version with some pretty robust improvements in the video area.
For starters the 4k 30p, 24p, 25p video internal mode records in the robust XAVC-S video format at up to 100Mbps which is comparable to what the Panasonic GH4 and a7s II cameras record 4k into. It also has S-Log3 Gamma for a flat profile for creative grading and LUT application for editors and colorists. If you were looking for a Sony 4k alternative in an S35 crop sensor then this is the camera for you. Furthermore the 4k mode is using the entire S35 frame and correctly down-sampling the image for extremely crisp looking 4k video from a 6k original sensor source.→ Continue Reading Full Post ←
Canon has been quite layed back in the past few years after the splash it did with DSLRs and the 5D Mark II 30p,24p and original 7D offering 720p 60fps in frame rates. This was so las decade and while there have been improvements there has not been an indication of the camera line growing up to develop a true leap in the video mode to EOS users. We have seen a transition to other systems like the Panasonic GH4 Micro 4/3 and Sony NEX series by many video pros looking for better video quality and higher frame rates besides Canon and Nikon bodies.
The video quality while stagnant in Canon and Nikon land has actually increased to 4k in other systems with amazing low light performance like that of the a7s Sony series. Canon seems to have woken up from their slumber with the new Canon 1DX Mk II a Professional answer with a full frame sensor and what looks to be a worthy video mode that is now up to date and competitive with some of the best out there in the under 120fps camp.→ Continue Reading Full Post ←
