There is an aura over the Panasonic GH5s that has not been seen in a m43 camera possibly ever. It is mainly due to the outstanding low light quality in 4k 24, 30p and 60p that beats full frame cameras like the Canon 5D Mark IV and competes head to head until ISO 25,600 with the king of low light the Sony a7s Mark II. But as always, our focus is on the high frame rates which the camera also does quite good on.
The 4k 60fps quality is very close to the 30p quality which means excellent and you can shoot at 60p at night without worrying about noise. The 240fps mode which is a first for a Lumix camera in full HD means that the camera aims to compete with Sony RX series cameras that have stacked sensors. We believe the quality to be acceptable but not good enough to be broadcast quality as stair stepping jaggies are all over the frame with the occasional moire pattern on fine detail that can break a shot.
There is no question Canon has had great success with their EOS Cinema line of cameras. They continue to dominate the rental production market and even when they are overpriced compared to competitor’s options it is in a class of its own when it comes to Dual Pixel Continuous AF with Canon EF lenses which are plentiful and part of the stable of most serious camera professionals.
The latest iteration just announced is the Canon EOS C200 EF Cinema Camera which has some serious performance improvements over the current price/performance kind in their camera line. The new camera slots between the lower priced C100 Mark II and the more professional 4k C300 Mark II. However the C200 records in 4k RAW Light format which gives 15 stops of dynamic range with all the benefits of RAW editing with some compression.
There was some wild expectation for the Casio EX-FR110H to be a return for the company to it’s innovation roots and offer not only an extremely high sensitivity video and photo mode but a return to a leading role in portable high speed video. Casio was after all the maker of the innovative EX-F1 which delivered true super slow motion video to the masses in a portable camera package back in 2008.
Now eight years later Casio has not improved when it comes to slow motion specs on their cameras when it comes to higher frame rates and resolution. The EX-FR110H does have some innovative features for extreme low light but when it comes to slow motion it really is just following along without a high spec.
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