The Kinefinity Terra 4k camera which starts at $3,999 body only and a ready to shoot package at $5,499 has now released information of a new firmware upgrade that will be released in May of this year which increases the slow-motion capabilities of the camera markedly. The camera was no slouch before when it came to frame rates which had 240fps at 2k and 100fps at 4k. It actually records in RAW and has excellent quality with no moire and aliasing since it is effectively cropping the sensor area to get a 1:1 pixel read-out for the slow mo.
For this low a price you really have no viable options that shoot these frame rates in excellent quality except for the recently announced Chronos 2.1 HD which does 1000fps at 1080p in DNG RAW. The Kinefinity line of cameras has started to become a go-to place for cinema quality at reasonable prices. Many Video Pros are actually becoming owners of the camera and praise the rock-solid quality of the build, operation and beautiful image quality with ample dynamic range. The Chinese have really built the Cinema camera for the common man.→ Continue Reading Full Post ←
Sony has released the RX0 Mark II which now includes the ability to record 4k internally as opposed to using an external recorder. Other goodies include a new flippy screen which while tiny, it allows for easy framing and selfie vlogger styles. A new stabilizer is included for reducing shake and it is a definite improvement even when the rolling shutter is a real problem.
Most of the camera is the same as before when it comes to body shape and usability, the higher frame rates are identical as the 2017 RX0 Mark I with essentially the same resolution and time recording. The big improvement comes in the screen and internal 4k recording with stabilization which seems to be directly aimed at vloggers. The sensor is, however, a tad less crowded by pixels at 15.3MP on the Mark II vs 21MP on the Mark 1. That should help in the low light department.→ Continue Reading Full Post ←
Blackmagic Design has been working behind the scenes to deliver yet one more professional camera solution that at $5,995 for up to 300fps in RAW recording at 1080p and 2k in windowed mode; makes it possible to have flawless image quality without breaking the bank. New Super 35mm sensor with 15 stops dynamic range with the ability to shoot at 120fps 4.6k full sensor RAW and 150fps at 4k UHD and DCI 4k makes it possible to really deliver on the slow motion promise for quality projects.
If you need more the 300fps 1080p and or 2k recording in the cropped windowed sensor should help you get that extra edge. It also records in Blackmagic RAW and delivers flawless looking 1:1 pixel footage with no aliasing or moire due to throwing away information. This camera has the capacity to really up your video game with these frame rate options.→ Continue Reading Full Post ←
This week Sony Announced Xperia 1, the successor to their previous flagship the Xperia XZ3 with a few new features and a very ultra-wide 21:9 CinemaWide™ 4K HDR OLED display which creates cinematic like aspect ratio UHD video with what they claim Cinealta HDR color science. The footage does look impressive at first glance but we have to remember the small sensor on phones simply cannot compete with an APS-C or Full Frame Cinealta camera sensor.
The good news is that the phone continues to offer the 960fps Full HD 1080p spec as in previous phones the XZ series. Sony chose to not allow initial samples of footage shot in various modes including the high speed because the phone is not finalized. From anecdotal evidence, it seems to compare favorably with their Xperia XZ3 but with some better color characteristics due to the Cinealta heritage color LUTs.→ Continue Reading Full Post ←
As it was initially unveiled at Photokina last year, the Panasonic Lumix S1 and S1R cameras are their answer to the domination of larger sensors in stills and video mirrorless cameras. Is there any reason now to buy a Full Frame DSLR when mirrorless is so advanced? The only thing we can think of is to have marginally longer battery life. The mirror is on its last legs and fans better start offloading their lenses if they don’t want to mess with adapters. In the case of Panasonic however, it is not possible to use Lumix Micro 4/3 lenses on the Leica/Sigma/Panasonic Full Frame L-Mount.
The S1 and S1R will both shoot up to 180fps 1080p video with a crop that may or may not be impactful. Seems the S1R has less crop on 1080p than the video geared S1 which is an odd spec. We will have to wait for more samples and info on the HFR mode to see which of these cameras offers the best slow motion performance. From the limited samples, we can say that the quality looks very good and at least on par with the Lumix GH5 at 120fps.→ Continue Reading Full Post ←