The Chronos 1.4c team based in B.C. Canada has been hard at work unleashing the features of the camera hardware and adding software features that should make the camera more valuable to video professionals everywhere. The new firmware adds HDMI live mirroring support for monitoring which is clean and lets you record its output. Another feature is the inclusion of native CinemaDNG save format image sequences which retain 16bits of color data and allow you to really streamline the workflow without time-consuming conversions.
In our testing over the last 4 days, we have really put the firmware “available here” through its paces and found very minimal issues in the software related to usability but no freezes and rock solid operation over around 14hrs of operation. By saving to CinemaDNG we have no issues with cards getting write space errors due to saving the 1.8MB files individually. We feel this format is really unleashing the camera’s quality fully with a faithful sensor capture representation.→ Continue Reading Full Post ←
The Insta360 seems to be on a roll by delivering several products this year in quick succession. They want to own the 360-degree video market and they have no plans of letting go of that goal by making some very cool new features available to the masses. The new Insta360 One X camera is able to stabilize the footage on the fly with incredible accuracy and steady-cam like feel without gimbals with its high-resolution capture and by using cropping along with telemetry data and a proprietary algorithm they are able to deliver rock-solid imagery in heavy motion environments.
The small camera is also able to shoot 100fps at 3k which is a first in the segment will let you crop if needed to get a better frame of the action. There is also a very clever rubber housing that is designed to be thrown aerodynamically “Drift Shot” while leaving the camera well protected on impact. This revolutionary technique is really something out of the box and what this camera will probably be known for. Expect to see an explosion of these shots in TV and film pretty soon as others copy the technique.→ Continue Reading Full Post ←
Fujifilm continues to further evolve their high-end mirrorless offerings by releasing the X-T3 which is a souped-up X-T2 with much of what was missing like 4k 60p and a new X-Trans Sensor now with 2 more megapixels and lower base ISO of 160. The new camera also has a touchscreen with the ability to use up to 425 Phase and Contrast hybrid Autofocus points which is their most advanced AF yet.
Others will point out to the new blackout-free burst shooting much like that in the Sony high enda9 for example. What is really remarkable here is that the 4k 60p mode is 10 bit 4:2:0 vs 8 bit on competitors, as to what big advantage that will be remains to be seen considering 4:2:0 is not exactly ideal. For slow motion fans, the camera now records 120fps 1080p at 200Mbps bs 100Mbps on the X-T2→ Continue Reading Full Post ←
The Z Cam E2 has finally started shipping and is now available for direct order at their site. The camera caught our attention for its low price of just $1999 and the high frame rate features of 240fps 1080p and 120fps 4k. It seems to be using the same 4/3 sensor as the great Panasonic GH5s but with extended features.
The camera company ZCam has also released some samples in a variety of scenarios so you can see what the camera is capable of. At first inspection, it is clear this camera is a clear step up from the Z Cam E1 which had some image quality issues. The E2 seems to go out of the box ready to produce class-leading imagery and offer some very nice high frame rate action. There are also some rumored comments that suggest the team is testing 300fps at 720p as an added bonus for future software.→ Continue Reading Full Post ←
Apple has released a preview video showing the video capabilities of the iPhone Xs in 4k 30, 4k 60 and slow motion 1080p 240fps. You can see in the liquid and sound part of the demo the quality delivered by the full HD slow motion but it is hard to judge per pixel sharpness and or artifacts from such a short high shutter video. We will need more real-world samples in order to see if there has been an improvement from the iPhone X of 2017.
We have isolated a part of the footage to see the slow-motion compression and we could detect aliasing in the edges, softness and compression artifacts which are typical of mobile phone high frame rates. The iPhone Xs seems to still have them to some degree. Color and motion on the codec seem to be excellent especially in 4k which looks extremely detailed and with more than acceptable dynamic range.→ Continue Reading Full Post ←
Apple just released 3 new iPhones and a 4th generation watch. These are all about the screen and speed and not really big new capabilities. It is all refinement and flawless execution but video fans will look at these phones as a continuation of last year’s specs with a better codec and possibly better bit rates and image quality but not much else. The iPhone X and 8 still remain relevant which is expected in an “s” upgrade cycle.
Gone are the big leaps of frame rates and Apple is capping at 1080p 240fps while completely ignoring rivals like the Galaxy S9,OnePlus 6 and Sony Xperia XZ series when it comes to super slow motion video. Apple was at the forefront of these technologies with the iPhone 6 but now have really rested on their laurels while the competition leapfrogs in video capabilities when it comes to frame rates. Others will point out that even when the high speed is restricted you will now get better quality footage in all modes which is certainly an upgrade.→ Continue Reading Full Post ←