Tag Archives: 500fps

Sony RX0 Slow Motion Aims at Pro Action Market!

Sony RX0 Slow Motion

As expected by recent rumors, Sony unveiled the RX0 a compact action camera that is more high-end oriented than any action camera before it. A Crash cam for video production that has a large 1″ sensor with high sensitivity and S-Log 2 flat profile.  It also has features like focus assist, full 4k 4:2:2 HDMI output to an external recorder and a 1/32000 shutter like other RX series cameras that gets rid of most of the rolling shutter distortion apparent in other action cameras.

While the GoPro Hero 4 and 5 have access to a Pro Tune Log style video profile; the camera is not really geared for high-end production. The RX0, however, is limited to 1080p 60fps internally with 4k output from HDMI to an external recorder as the only 4k output option. This gives GoPro, Yi 4k+, and Sony’s Action Cam series an edge of internal 4k recording. → Continue Reading Full Post ←

Chronos 1.4 Software Update 0.2

Chronos 1.4 Software

The Chronos 1.4 Camera is getting its first firmware update from 0.1 to 0.2 to add a few feature, correct a few bugs and some interface changes.  The update is recommended for all owners and it is very easy to install. Be sure to have a FAT32 formatted USB stick in order to perform the update as it needs the root directory for file discovery.

We applied the update on our camera and were pleasantly surprised that the actual software update did not need the camera to be turned off after. It seems that the Chronos team is making updates on the internal SD memory and not on a firmware chip which also means you cannot brick the camera by updating. Very cool feature! → Continue Reading Full Post ←

Rumor Mill & Rocket Slow-Mo Videos!

Rumor Mill Rocket Slow-Mo

If you ever wanted to see slow motion footage of the Apollo 13 Saturn V rocket on liftoff here is your chance. The video uploaded about 5 years ago by  Spacecraft Films an aerospace related footage company that has some of the most compelling video on the subject. See http://www.spacecraftfilms.com/blog/ for more information on their footage and usage rights.

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Chronos 1.4 Mods Make Improvements!

Chronos 1.4 Mods

We would like to share a few modifications users of the Chronos 1.4 have made to the camera in the few short weeks they have had to put it through its paces.  In our case, we got the Pro AM 5″ Sunshade for LCD screens and had great success curing what could have been a big nuisance for the camera.  In bright daylight, the Chronos screen completely washes out like most phones out there and makes it impossible to judge focus, controls and reviewing clips.

There are also case mods and more strap accessories that have made the camera better.   While the software is still in the early stages, the camera is fully functional and has been able to deliver outstanding image quality.  There are a few image artifacts that firmware will address in the future, that are pushing back our full review of the camera. For those that have been asking, rest assured we are on it! → Continue Reading Full Post ←

Chronos Camera Must Have Accessories!

Chronos Camera Must Have Accessories

So now that many Kickstarter backers have received the Chronos 1.4 including HSC, we have had a few days to test it out and see what kind of accessories the camera needs to be customized for full usability.  There are quite a few hardware cages that may fit it but we rather use the camera as is with some clever low-cost fixes.

The camera is performing well with operation being solid for the 4 days we have taken it through its paces.  Some things do scream out as essentials in order for the camera to be safe from drops and shield it from the sun in order to see the LCD screen properly which is not particularly good in direct sunlight as most LCDs suffer from this. → Continue Reading Full Post ←

Fake Slow Motion Is It Worth It?

Fake Slow Motion

There has been a lot of work put it developing software that can interpolate frames for video editing and compositing applications. Twixtor in the late 90’s was perhaps the first time the technology could make something worthwhile and really produce acceptable results in a computationally acceptable timeframe.

Today the most used algorithm is Adobe’s Optical Flow in Premiere or Time Warp in After Effects which use vector directional plus acceleration of pixel values to derive in between frame data to generate new frame information from the preceding frame as point A and the next frame as point B.  The results can do some wonders to really slow down things above the frame rate ceiling of the camera. → Continue Reading Full Post ←