The Chronos 1.4 High speed camera is getting a sensor firmware upgrade or “Wavetable” that allows for up to 38,565 fps at 336×96 pixels in windowed mode. This effectively allows the camera to go below the previous 640 pixel locked horizontal resolution which allows for even faster capture speeds.
The Panasonic GH5 is gathering attention all over the camera world by making inroads into the professional video production space with it’s truly professional image quality 4:2:2 10 bit and video oriented workflow. There is already talk of the BBC being able to use it for productions and that is no small thing considering how demanding their image quality needs are.
We have gathered the few Full HD 180fps GH5 samples posted so far from pre production cameras so you can judge for yourself the quality delivered in this mode. From what we can see it is quite good at holding detail and sharpness compared to the GH4 but it still suffers from some moire and aliasing due to line skipping happening at some stage in the capture process.
Seems like the GH5 introduction has really made a splash on the web, TV tech news media and in enthusiast circles. The spec sheet alone is the most advanced of any DSLR or Mirror-less camera to date concerning the acquisition of professional video. There is however one setting that does interest us more than any other and that is the 180fps VFR mode on 1080p resolution.
Slow motion samples are very hard to come by on this pre production camera for what seems to be an unofficial lock on that feature with testers according to some rumors. However we have learned that the feature is not locked and it is available to everyone on the test units but it requires UHS II U3 SDXC cards which many users simply did not have available.
In what could be called a very tight circle of people in the know with no severe leaks until yesterday the Panasonic GH5 was a pretty well controlled launch. No one was really sure about the maximum frame rate at 1080p until a couple of days back when some leaks in Asia started to circulate 180fps in FHD as the number and sure enough the final spec did just that.
The GH4 was and continues to be a camera of choice for many video enthusiasts and film-makers so it was a tall order to best the camera and force a loyal following to upgrade and continue the cycle of continued improvements and sales. The GH4 was a success for Panasonic’s Lumix division more than any GH camera before it and they have listened to professional users and have made it even more of a powerhouse.
The Panasonic GH4 still is a very popular camera for enthusiasts, film makers and mirror-less fans. It is one of the few high quality consumer priced cameras that shoot 4k still today two years after it’s introduction. It is a tall order to improve on it sufficiently to warrant current owners to upgrade in droves and make long time Canon, Nikon or Sony owners witch to the Lumix Micro 4/3ds platform. Click for Updated Article Here!
The specs for the Panasonic GH5 continue to flow from a few months back when it was first teased by Panasonic; some of the new info seems to be from controlled marketing leaks to keep interest in the product but so far when it comes to higher frame rates we are still waiting for any confirmation of a 120fps spec.
It seems the Sony RX100 V is not only improved in recording time but also on resolution. Our reader “slowmosage” sent us his new findings on the official manual and in fact Sony states much higher resolution read out for the HFR mode at 480fps, 500fps, 960fps and 1000fps than the RX100 IV had.
The increases are not trivial and shows that the actual readout in the horizontal at 500fps and 480fps is the same number of pixels read out at the near full HD 240fps and 500fps 1824*1026. This is a big improvement compared to the previous HFR modes and confirms that the resolution seen in the sample footage not only looks better but it is based on more pixels read out.