The Twitter account of the Krontech.ca company has posted here a render and a short info spec on a supposed 48 camera rig that can process an awe-inspiring 68 Gigapixels/sec which they arrive at by aggregating the 1.4Gpx/s on the Chronos 1.4c camera multiplied by 48 different units. (Update: Real Product See Our Post Here!)
“Ladies and gentlemen, please welcome the “Chronos 68″ made of 48 Chronos 1.4 cameras thus able to process 68 Gpx/s. Is anyone in to buy?” Krontech.ca
Being this April 1st which could make it an April Fools prank we are cautious about calling this a real rig, or product, but it sure looks pretty capable as a way to capture a 360-degree view of something. Whatever the case, this is probably not going to be cheap but geared to professional movie making or very hardcore labs. Krontech.ca website here! What do you think? -HSC
This week Sony Announced Xperia 1, the successor to their previous flagship the Xperia XZ3 with a few new features and a very ultra-wide 21:9 CinemaWide™ 4K HDR OLED display which creates cinematic like aspect ratio UHD video with what they claim Cinealta HDR color science. The footage does look impressive at first glance but we have to remember the small sensor on phones simply cannot compete with an APS-C or Full Frame Cinealta camera sensor.
The good news is that the phone continues to offer the 960fps Full HD 1080p spec as in previous phones the XZ series. Sony chose to not allow initial samples of footage shot in various modes including the high speed because the phone is not finalized. From anecdotal evidence, it seems to compare favorably with their Xperia XZ3 but with some better color characteristics due to the Cinealta heritage color LUTs.
Sony Semiconductor division has announced the new IMX183CLK-J “Mono” & IMX183CQJ-J “Color” Sensors in 1″ size. The sensor seems to be a step up compared to the ones used in the last RX100 and RX10 camera series. While there is no mention in the press release of a stacked combo; the sensor itself should be able to be built on a high speed stacked memory package which should allow extreme frame rates at HD resolutions.
The sensor used in the RX100 V, for example, is a 1″ Exmor RS which allows for HDR capture in both photo and video modes. The new sensors announced are of the R variety “No video HDR” which could mean another variation of the sensor will debut with the RX100 VI. Considering the cameras are due for a refresh this year we expect Sony to up the ante when it comes to read-out data speeds and use their stacking technology.
In a launch that was mostly subdued, a new camera was launched in August; the Panasonic HC-X1 which is a mid range professional fixed lens ENG or EFP camera with some serious specs to go behind it. For starters there is 4k at up to 60fps a format that we hope to see in upcoming ILCs like the GH4 successor and Sony Cameras. The other is 100fps PAL or 120fps NTSC 1080p which is now a must have slow motion standard for any serious camera.
The qualities of the new Panasonic HC-X1 do not stop at higher frame rates; it features a fantastic 3 independent fly by wire ring system for focus, aperture and the last for zoom which starts at a very wide 24mm to 480mm at the long end or 20x optical. The camera also features a built in ND Filter wheel from 1/4th to 1/64th for effortless 180 degree shooting outdoors.
The edgertronic high speed camera by Sanstreak has been a darling of scientists, industrial, education and content production users since 2013. The Kickstarter project not only delivered on the promise but became a full fledged high speed camera provider afterwards with more than 540 cameras shipped to date.
Today they cement that legacy with the introduction of the edgertronic SC2 in both Monochromatic and Color versions with a full resolution frame rate at HD 1280*720px of 4,450fps depending on the model selected.The power and capability of the edgertronic SC2 is over 630% higher than the edgertronic 1 camera “max 701fps HD”, which as of today is known as the edgertronic SC1, will still be available for the foreseeable future at their store as a lower end option.
Announced just last week the Sony PXW-Z150 gets a lot of right for the low end pro video market. It has 4k 4:2:0 as many in the competitive price range of $3,595 MSRP. It has 4:2:2 1080p 10 bit at 50mbit which is a good surprise and it seems to be carried to the also included 120fps full HD 1080p slow motion mode.
The sensor is of the stacked kind and it is 1″ sized, the same as the ones in the RX100 IV and RX10 II from Sony which are really good at slow motion for a low price. However those full specs are not carried through in the high frame rate mode or HFR. It maxes out at 120fps 1080p instead of 240fps on the RX series in the 1k range and the FS5 which is a tad more expensive than the Z150.
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