The Odyssey7Q+ by convergent design has always been able to record faster than normal frame rates but now it is able to do so directly into Pro Res bypassing RAW capture all-together which yielded massive file sizes. With the new ProRes recording workflow you can use more high frame rate capture in your productions without needing new hard drive arrays.
The Kinefinity KineMAX 6k camera has been shipping to customers and now we have a look at the first slow motion video images produced by this behemoth of a camera. The hardware as of now can produce 4k footage at 100fps and 3k at 150fps both with a sensor crop and while the image has some slight moire and aliasing it is nothing that will impact image quality greatly. It is not as good as the RAW 4k or 3k modes but it does allow for fast frame rates on an already very affordable professional tool. A package with the KineMAX 6k capable body, Canon EF mount and the Slow Motion Package comes in at just under 10k US or $9,997.00. Of course you will still have to buy SSD media to store those mammoth frame sizes.
As you can see the size of a 6k frame is hard to comprehend to HD shooters. You can fit 9 1080p full HD frames into a single 6k frame. You will reach new levels of detail with this camera, that as of recently was only available with a RED Dragon camera. However the price of entry is much lower with Kinefinity and the Chinese company will probably start carving a niche in cinema production quickly with these prices. If you need 6k RAW imaging and high frame rates at 4k and 3k at $10k US budget this is the camera for you.
Kinefinity a relatively new company that specializes in digital cinema cameras is about to release to customers the KINEMAX 6k capable camera. At first glance it looks like a RED Epic clone as the body and design aesthetics suggest however their technology is in house and their prices are much more accessible. The company is based in Beijing China and two of their cameras now offer high quality slow motion modes.
KineMINI 4k – Slow Motion Capabilities:
The Nikon 1 J5 was no secret since some leaks have been out for some time. However it is clear that the Nikon 1 line remains focused on speed be it still images or video. However they seem to be capping the frame rates on the HD side and upping the resolution in the 1200 and 400fps ranges by a few lines. We believe the reason is product separation so that the Nikon 1 V4 will be able to have some increase in specs while having the same basic internals.
Here are the specs That have changed for Slow Motion Video: